Matthew McConaughey
๐ค SpeakerAppearances Over Time
Podcast Appearances
If she doesn't know, I'm the biggie in the family, okay? Yeah, yeah. That's actually what we called. There's a chair where they get out of the house. There's like one big chair. It's like, oh, no, that's his. He's the biggie. It's absurd.
If she doesn't know, I'm the biggie in the family, okay? Yeah, yeah. That's actually what we called. There's a chair where they get out of the house. There's like one big chair. It's like, oh, no, that's his. He's the biggie. It's absurd.
Yeah, I think he's sitting on his... I think he's sitting on his... His knees? His heels back, and then you had the... Or he had just the green... You wear the green sort of back screen where they... Remove it in post and put there, but I don't know. They had much money to remove most of it in post.
Yeah, I think he's sitting on his... I think he's sitting on his... His knees? His heels back, and then you had the... Or he had just the green... You wear the green sort of back screen where they... Remove it in post and put there, but I don't know. They had much money to remove most of it in post.
Yeah, I think he's sitting on his... I think he's sitting on his... His knees? His heels back, and then you had the... Or he had just the green... You wear the green sort of back screen where they... Remove it in post and put there, but I don't know. They had much money to remove most of it in post.
No, we're playing it... Look, it was obviously a wild concept. Yeah. See the talent it drew. The talent is... It was anarchic. It still had some heart to it, which maybe I think of the script, felt less sentimental than that did. Um... We knew it was a soap opera, but it felt so carny for that word to come back. It felt so carny. We were like, this is wild.
No, we're playing it... Look, it was obviously a wild concept. Yeah. See the talent it drew. The talent is... It was anarchic. It still had some heart to it, which maybe I think of the script, felt less sentimental than that did. Um... We knew it was a soap opera, but it felt so carny for that word to come back. It felt so carny. We were like, this is wild.
No, we're playing it... Look, it was obviously a wild concept. Yeah. See the talent it drew. The talent is... It was anarchic. It still had some heart to it, which maybe I think of the script, felt less sentimental than that did. Um... We knew it was a soap opera, but it felt so carny for that word to come back. It felt so carny. We were like, this is wild.
And Matthew Bright, writer, director, was a good writer, had come up with the concept. And I just was like, this is bringing together two worlds of high comedy, but if we straight face this, it can be really funny and also might actually make you drop a tear.
And Matthew Bright, writer, director, was a good writer, had come up with the concept. And I just was like, this is bringing together two worlds of high comedy, but if we straight face this, it can be really funny and also might actually make you drop a tear.
And Matthew Bright, writer, director, was a good writer, had come up with the concept. And I just was like, this is bringing together two worlds of high comedy, but if we straight face this, it can be really funny and also might actually make you drop a tear.
That second half of that trailer... Pushes that direction. I've shown 100 people that trailer. I've never seen the trailer.
That second half of that trailer... Pushes that direction. I've shown 100 people that trailer. I've never seen the trailer.
That second half of that trailer... Pushes that direction. I've shown 100 people that trailer. I've never seen the trailer.
Sure. You know what? My biggest dammit for me was probably... Right as we finished Time to Kill. What was the name? Damn it, he just moved on. L.A. Confidential Director.
Sure. You know what? My biggest dammit for me was probably... Right as we finished Time to Kill. What was the name? Damn it, he just moved on. L.A. Confidential Director.
Sure. You know what? My biggest dammit for me was probably... Right as we finished Time to Kill. What was the name? Damn it, he just moved on. L.A. Confidential Director.
Anyway, excuse me. We had a meeting, and he'd come down, and he'd offer a role. I don't remember if it was the Guy Pearce role or the Russell role. Curtis Hanson? Curtis Hanson, thank you. Curtis Hanson came down, and it offered me a role in that. And I loved that movie. I think it's a great movie. And... I said no. Now, mind you, at that time, people were asking me what I wanted to do.
Anyway, excuse me. We had a meeting, and he'd come down, and he'd offer a role. I don't remember if it was the Guy Pearce role or the Russell role. Curtis Hanson? Curtis Hanson, thank you. Curtis Hanson came down, and it offered me a role in that. And I loved that movie. I think it's a great movie. And... I said no. Now, mind you, at that time, people were asking me what I wanted to do.
Anyway, excuse me. We had a meeting, and he'd come down, and he'd offer a role. I don't remember if it was the Guy Pearce role or the Russell role. Curtis Hanson? Curtis Hanson, thank you. Curtis Hanson came down, and it offered me a role in that. And I loved that movie. I think it's a great movie. And... I said no. Now, mind you, at that time, people were asking me what I wanted to do.