Maureen Dowd

And my sister and I were wincing over

On her long walks on those marble floors because it had to hurt, but only glancing reference to that.

I mean, also, all credit to Nancy Pelosi, who also did it.

Right.

Well, she may also be rebuking all of the women in Trump's world who have Mar-a-Lago face, who have done too much work, because obviously there's a lot of work that's been done, but she's managed to remain exquisite looking.

Nickname was, yeah, she called Melania the portrait and Melania called her the princess.

And you could have really called this documentary the portrait because that's what it's like.

It's like a static kind of portrait of a beautiful woman.

But Carlos, Carlos, didn't you think it, I thought it was so funny that, so she brings Brett Ratner out of exile.

I mean, he was exiled from Hollywood for sexual transgressions, and she brings him out of exile to be the director of this movie.

And then he asks who her favorite artist is, and it's Michael Jackson.

And in the midst of the Epstein files of tales of pedophilia, you know, it's just kind of, are we not going to have one minute without a predator being mentioned here or directing the movie?

So it was kind of creepy, I thought.

You know, one funny, this isn't about music, but for me, my favorite line of everything, I don't know if it started with Sophie Gilbert or on Twitter or whatever, was the idea that her inaugural dress, it's impossible to look at it now without thinking it looks like the redacted Epstein files that

I heard that crossing things out.

Yeah, I thought that was a great line.

Yeah, it's only revealing for what it doesn't reveal.

I mean, I just think he got his orders straight, which is she wanted to look gorgeous in every frame and not reveal anything.

And that's what happened.

Can you talk a little bit more about that?