Max Porter

that weirdly lodge themselves in your head.

That one obviously has a homoerotic element, which adds to the Baconian stew, oral stew.

But I also wanted it to be quite like, you know, why have I suddenly thought of that?

You know, like, you know, like, like suddenly, if I've got nothing going on in my head, sometimes I'll go, I'll sing Tina Turner.

You know, some things are lodged way back, aren't they?

And I wanted it to have that element, but also something slightly archaic, as well as this sort of, I wanted this slight sense of kind of homoerotic myth-making of the sort of soldier's song at this point in the Fantasia.

Oh, thanks so much for having me.

It's really nice to chat.

And thanks to everyone for their questions.

Yes.

Do it now, Kate.

Do it now.

But I made... And she's like, no, I'm just chopping onions.

No, she was... But it's radio, so you can't see it.

Yeah, yeah, I can, yeah.

Yeah, do you want me to?

No, I say it's about friendship and family and parenting and trust and about what happens in a community when something terrible occurs.

I don't need to tell you what that terrible thing is.

In an ideal world, I don't do it.

Because the point about those voices is that they are sound.