Megan Fox
speaker
195 appearances
1 recordings
1 series
first heard Mar 2025
last heard Mar 2025
Megan Fox’s voice in public audio — every appearance, attributed to the second.
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Appearances
But also where does the logic end of like, why won't you take it to shaming people for coloring their hair? So true. You know what I'm saying? Or wearing gel nails or where does that logic stop? Yep. What's, what's natural enough for you and then what's fake and what's the barometer and like, why do we all have to follow some kind of a standard? It doesn't make any sense.
So tricky because my relationships are public, so it's hard to say. But I would say very early on, like when I first started. going to award shows and things like that, feeling judged for like my naive excitement over like first experiencing some kind of success or like being at like, oh my God, I'm at the MTV Awards. Like, whoa, this is so cool.
And not being met with what felt to be criticism or judgment and then me shrinking and receiving the message that, it was embarrassing to like these things or to be happy to be a part of these things and that I needed to quell that and reject it maybe.
be like as outgoing in at events like how controlling have you experienced relationships become i haven't had somebody um control clothing and things like that um but definitely yeah definitely just down to like maintaining too much eye contact with someone else or
having um being too curious during a conversation or to the point where it's like well i just won't talk to anyone i just won't look at anyone i won't shake anyone's hand like I'll just sit. And that's one of the poems you're referring to is, I think it was the art of becoming an accessory and feeling like an accessory where I'm there, but why am I there? And what am I doing?
I don't have like, I don't have a presence here because I'm not allowed to be.
Megan. It does. And that's the truth. It sounds like it's not romantic. It doesn't sound like it's passionate. The literal definition of passion is to suffer. And it doesn't. It just sounds... I would rather be in something... This is not to encourage others to do this, but my personal psychosis and issue is that I would prefer to be in something dramatic and toxic versus something...
stable keep in mind i've never experienced like truly stable so if i were to honestly experience it i would probably have a lot of peace and would accept it yeah but i've never had it so to me the idea of it sounds very boring boring i want to read part of this heartbreaking poem that you wrote because it's fucking heartbreaking you say
I dissociate from the physical violence a lot. Even when I talk to my therapist, I have yet to be able to have like a strong emotional reaction to that because I compartmentalized that. And that sort of just jumped over my logic, my logical brain and went right into my body. So I need to probably do a lot of like somatic therapy to work on that. Yep.
but I am not able to feel emotional when I write about it or when I talk about it. It's basically like describing a movie. The gaslighting and the name calling and the mental emotional abuse, I do get very emotional about that. I am very like present with that. But how do I feel about it? I don't know. Well, part of me feels like exposed because I wrote this book with things like that in it.
And so to hear someone else read it, I'm like, okay, I wrote that for everyone to read for all of eternity. They can revisit that book. And I did it, but I did it for a reason. Why did you do it? One for myself, I think because obviously it was therapeutic to get it out and to get it out in a way that's different than to just talk to a therapist and like the words float away into nothingness.
To put it into a book I know that it'll find, even if it's only one person, it'll find someone that needs to read it and they will experience some kind of healing or some kind of inspiration from it. And therefore that gave my pain a purpose versus me just trying to heal privately. It also just felt like a demon that I needed to have exercised from my body. Like I needed to get it out in this way.
Yes. I can't... I don't know that I can tell the story.
Yeah, I fawned. That was my initial reaction, the freeze, fight, flight, fawn. Fawning is like, it's a combination of freezing and then also attempting to soothe the other person. So that was my initial reaction. And it was very, it was definitely shocking. But like I said, I almost immediately compartmentalized it. and went into nurturing the other person to calm the situation.
And I don't know, I just took it on as my own burden right away instead of feeling the trauma.
Yeah.
Yeah, that perfectly reflects as I would anticipate it to. Yeah.
Yeah, and because some of the poems are about him and they're obviously about him, like a 32-year-old narcissist attempts to quantify his crimes is about him and he knows it's about him. And there are other ones like Ghost of Christmas Future, obviously about him. But I also didn't really write anything about him that he hasn't said about himself in his own music.
However, that doesn't make it any less sensitive for him to experience me writing about it because obviously he feels in control when he's telling his own story or even like maybe he's able to hide behind the music a little bit even though he's saying all the same things it felt different in in this format so obviously he would have to be asked for his experience, but it was not easy.
And I think he was like really nervous and, and worried because there's a lot of explosive content in the book, obviously. And there was some fear there. And also, I mean, some of them are about him and are savage.
Showing 141–160 of 195 · page 8 of 10
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