Michael Chernus

And so continuing to discover those ways in for the audience to see a different side of him is really what's been a fun challenge.

And so continuing to discover those ways in for the audience to see a different side of him is really what's been a fun challenge.

Well, right back at you. I mean, I remember that night that we shot it. It was such a dance between us because we're holding so much. You had so much going on of like any Mark meeting his idol, but all the other circumstances of the larger scene in that moment and trying to keep it together. Yeah.

Well, right back at you. I mean, I remember that night that we shot it. It was such a dance between us because we're holding so much. You had so much going on of like any Mark meeting his idol, but all the other circumstances of the larger scene in that moment and trying to keep it together. Yeah.

Well, right back at you. I mean, I remember that night that we shot it. It was such a dance between us because we're holding so much. You had so much going on of like any Mark meeting his idol, but all the other circumstances of the larger scene in that moment and trying to keep it together. Yeah.

not be found out and so you had all that going on and then I had all the stuff that Rickon's going through going on and so I think I love that scene so much and it's such a simple scene but there's so much packed into it I think that speaks to the tone of this show so precisely of

not be found out and so you had all that going on and then I had all the stuff that Rickon's going through going on and so I think I love that scene so much and it's such a simple scene but there's so much packed into it I think that speaks to the tone of this show so precisely of

not be found out and so you had all that going on and then I had all the stuff that Rickon's going through going on and so I think I love that scene so much and it's such a simple scene but there's so much packed into it I think that speaks to the tone of this show so precisely of

Trusting the audience to the audience is smart and that they're going to be watching and listening and knowing all that nuance that we don't have to play everything at once. Right. You know, there may be all of this stuff happening, but you as an actor can't do all those things. You just have to be there and sort of listen and play the scene with your partner. Yeah.

Trusting the audience to the audience is smart and that they're going to be watching and listening and knowing all that nuance that we don't have to play everything at once. Right. You know, there may be all of this stuff happening, but you as an actor can't do all those things. You just have to be there and sort of listen and play the scene with your partner. Yeah.

Trusting the audience to the audience is smart and that they're going to be watching and listening and knowing all that nuance that we don't have to play everything at once. Right. You know, there may be all of this stuff happening, but you as an actor can't do all those things. You just have to be there and sort of listen and play the scene with your partner. Yeah.

That's a gift of the character, yeah, is that those two things match. I mean, I think for me, one of the things is I've been in this business for a minute now is just a constant meditation on trying to let go of what the audience is going to think. There are millions of people who will see it. There'll be various responses to Rickon. And so I can't control that. But what I can control is that

That's a gift of the character, yeah, is that those two things match. I mean, I think for me, one of the things is I've been in this business for a minute now is just a constant meditation on trying to let go of what the audience is going to think. There are millions of people who will see it. There'll be various responses to Rickon. And so I can't control that. But what I can control is that

That's a gift of the character, yeah, is that those two things match. I mean, I think for me, one of the things is I've been in this business for a minute now is just a constant meditation on trying to let go of what the audience is going to think. There are millions of people who will see it. There'll be various responses to Rickon. And so I can't control that. But what I can control is that

I'm giving it as much dimensionality to him as possible, that I'm not considering him a joke, even if somebody else does.

I'm giving it as much dimensionality to him as possible, that I'm not considering him a joke, even if somebody else does.

I'm giving it as much dimensionality to him as possible, that I'm not considering him a joke, even if somebody else does.

We see- He's a generous, attentive lover.

We see- He's a generous, attentive lover.

We see- He's a generous, attentive lover.