Michael Keaton

But so... That scene was one thing, right? But what I knew was, I said, but how does this guy feel? You know, how insecure is he right now? And how emasculated is he right now? And Martin walks in just fucking cocksure, you know? Just fucking beautifully played, looking so brilliantly arrogant, looking at me. And I'm thinking, okay, what would this guy do? He's panicked. He's not ready for this.

But so... That scene was one thing, right? But what I knew was, I said, but how does this guy feel? You know, how insecure is he right now? And how emasculated is he right now? And Martin walks in just fucking cocksure, you know? Just fucking beautifully played, looking so brilliantly arrogant, looking at me. And I'm thinking, okay, what would this guy do? He's panicked. He's not ready for this.

So I said to the prop guy, He'd get me like, I don't know, like he's pretending like he's working on the house, you know, like tools or something. And he shows me a chainsaw. I go, yes. And I said, run down, you have any of those goggles? And I go, yeah. And he goes and gets the goggles. And then we just played it from there.

So I said to the prop guy, He'd get me like, I don't know, like he's pretending like he's working on the house, you know, like tools or something. And he shows me a chainsaw. I go, yes. And I said, run down, you have any of those goggles? And I go, yeah. And he goes and gets the goggles. And then we just played it from there.

So I said to the prop guy, He'd get me like, I don't know, like he's pretending like he's working on the house, you know, like tools or something. And he shows me a chainsaw. I go, yes. And I said, run down, you have any of those goggles? And I go, yeah. And he goes and gets the goggles. And then we just played it from there.

Overcompensating out of his ass. And then the 220 line was Martin's.

Overcompensating out of his ass. And then the 220 line was Martin's.

Overcompensating out of his ass. And then the 220 line was Martin's.

I said, yeah, we're probably going to rewire. I didn't know what I was talking about. I said, yeah, we're probably going to rewire the whole thing. And that was the end of that. And Martin said, you know what you should say? Martin says something like, how are you going to wire it? And I go, I don't know. He said, you should say, you know, 220, 221, whatever it takes. That's Martin Maul's line.

I said, yeah, we're probably going to rewire. I didn't know what I was talking about. I said, yeah, we're probably going to rewire the whole thing. And that was the end of that. And Martin said, you know what you should say? Martin says something like, how are you going to wire it? And I go, I don't know. He said, you should say, you know, 220, 221, whatever it takes. That's Martin Maul's line.

I said, yeah, we're probably going to rewire. I didn't know what I was talking about. I said, yeah, we're probably going to rewire the whole thing. And that was the end of that. And Martin said, you know what you should say? Martin says something like, how are you going to wire it? And I go, I don't know. He said, you should say, you know, 220, 221, whatever it takes. That's Martin Maul's line.

Oh, man. And who, you know, you look at all the really great, funny women. There are so many now. And there were kind of, relatively speaking, so few then.

Oh, man. And who, you know, you look at all the really great, funny women. There are so many now. And there were kind of, relatively speaking, so few then.

Oh, man. And who, you know, you look at all the really great, funny women. There are so many now. And there were kind of, relatively speaking, so few then.

And, you know, look at Terry, man. She had everything. She still has everything. She's so sweet. I just love her. Yeah.

And, you know, look at Terry, man. She had everything. She still has everything. She's so sweet. I just love her. Yeah.

And, you know, look at Terry, man. She had everything. She still has everything. She's so sweet. I just love her. Yeah.

And you look at, you know, she's witty and funny and feminine and masculine and all that stuff. And just could just, you know, just had it, you know, and has it. And yeah, and helped me, you know, like you guys know, you know, you can't do it on your own. You know, you need somebody to set you up.

And you look at, you know, she's witty and funny and feminine and masculine and all that stuff. And just could just, you know, just had it, you know, and has it. And yeah, and helped me, you know, like you guys know, you know, you can't do it on your own. You know, you need somebody to set you up.

And you look at, you know, she's witty and funny and feminine and masculine and all that stuff. And just could just, you know, just had it, you know, and has it. And yeah, and helped me, you know, like you guys know, you know, you can't do it on your own. You know, you need somebody to set you up.