Michael Moynihan

It's so dangerous. It's not safe for the girls. People are going to die if you don't do what we say. Yeah. Safe for who? Not that girl who got the volleyball slammed into her face.

It's so dangerous. It's not safe for the girls. People are going to die if you don't do what we say. Yeah. Safe for who? Not that girl who got the volleyball slammed into her face.

It's so dangerous. It's not safe for the girls. People are going to die if you don't do what we say. Yeah. Safe for who? Not that girl who got the volleyball slammed into her face.

But if he's talking about the suffering of El Salvadorian gang members, he's ranking something there because I think about the suffering of Kate Steinle's family. I think about the suffering of Lake and Riley's family. These are people who are hurt by these policies. So there are a whole lot more people affected than just one group.

But if he's talking about the suffering of El Salvadorian gang members, he's ranking something there because I think about the suffering of Kate Steinle's family. I think about the suffering of Lake and Riley's family. These are people who are hurt by these policies. So there are a whole lot more people affected than just one group.

But if he's talking about the suffering of El Salvadorian gang members, he's ranking something there because I think about the suffering of Kate Steinle's family. I think about the suffering of Lake and Riley's family. These are people who are hurt by these policies. So there are a whole lot more people affected than just one group.

What we do in this is we talk about the responsibility of journalists to hold truth to power, right? That's our goal. And so if you're doing that, and we don't tell people what to think when we show that montage at the end, for instance. You see Megyn Kelly, she's who's come out and said, you know, I'm not a journalist. I didn't say I was a journalist.

What we do in this is we talk about the responsibility of journalists to hold truth to power, right? That's our goal. And so if you're doing that, and we don't tell people what to think when we show that montage at the end, for instance. You see Megyn Kelly, she's who's come out and said, you know, I'm not a journalist. I didn't say I was a journalist.

What we do in this is we talk about the responsibility of journalists to hold truth to power, right? That's our goal. And so if you're doing that, and we don't tell people what to think when we show that montage at the end, for instance. You see Megyn Kelly, she's who's come out and said, you know, I'm not a journalist. I didn't say I was a journalist.

You know, but I'm not quite sure what she's done. I've at least been to... you know, Darfur and Sudan and the Congo and been shot at to try to get stories out. And I'm not quite sure what she's done to be a journalist. Having said that, we only show her words in this play. We don't tell people what to think. It's not out of context. We don't manipulate it.

You know, but I'm not quite sure what she's done. I've at least been to... you know, Darfur and Sudan and the Congo and been shot at to try to get stories out. And I'm not quite sure what she's done to be a journalist. Having said that, we only show her words in this play. We don't tell people what to think. It's not out of context. We don't manipulate it.

You know, but I'm not quite sure what she's done. I've at least been to... you know, Darfur and Sudan and the Congo and been shot at to try to get stories out. And I'm not quite sure what she's done to be a journalist. Having said that, we only show her words in this play. We don't tell people what to think. It's not out of context. We don't manipulate it.

We literally just go, these are your words.

We literally just go, these are your words.

We literally just go, these are your words.

Yeah, and I worry that there's no core of real conviction with George Clooney. I mean, his first major kind of political statement as an artist was a movie Three Kings that criticized George H.W. Bush for not finishing the job in Iraq and carrying on an invasion all the way to Baghdad.

Yeah, and I worry that there's no core of real conviction with George Clooney. I mean, his first major kind of political statement as an artist was a movie Three Kings that criticized George H.W. Bush for not finishing the job in Iraq and carrying on an invasion all the way to Baghdad.

Yeah, and I worry that there's no core of real conviction with George Clooney. I mean, his first major kind of political statement as an artist was a movie Three Kings that criticized George H.W. Bush for not finishing the job in Iraq and carrying on an invasion all the way to Baghdad.

Years later, of course, when it was no longer in Democrats' partisan interest to make an argument like that, he abandoned it like a cheap date. So, again, there has just been a theme of raw partisanship, but dressed up as higher principle. And it just doesn't stand up to any scrutiny. And why would it? Again, we shouldn't necessarily be looking to Hollywood for

Years later, of course, when it was no longer in Democrats' partisan interest to make an argument like that, he abandoned it like a cheap date. So, again, there has just been a theme of raw partisanship, but dressed up as higher principle. And it just doesn't stand up to any scrutiny. And why would it? Again, we shouldn't necessarily be looking to Hollywood for