Michelle Williams

Confirmation of your worst fear.

Confirmation of your worst fear.

Confirmation of your worst fear.

I always feel like the worst thing that can happen to you on a set is that you're going to be embarrassed. Embarrassment, we can live with that. The stakes aren't as high as they are in real life. Look, the stakes are high because you want to do a good job and you want to get another job and you want to continue to have a livelihood. But embarrassment, we can live with.

I always feel like the worst thing that can happen to you on a set is that you're going to be embarrassed. Embarrassment, we can live with that. The stakes aren't as high as they are in real life. Look, the stakes are high because you want to do a good job and you want to get another job and you want to continue to have a livelihood. But embarrassment, we can live with.

I always feel like the worst thing that can happen to you on a set is that you're going to be embarrassed. Embarrassment, we can live with that. The stakes aren't as high as they are in real life. Look, the stakes are high because you want to do a good job and you want to get another job and you want to continue to have a livelihood. But embarrassment, we can live with.

Thank you. That's what we were going for. We were like, is there such a thing? Because the camera is the male gaze. And is it even possible to make a camera a female gaze? So that was definitely something that was on our mind while we were making the show.

Thank you. That's what we were going for. We were like, is there such a thing? Because the camera is the male gaze. And is it even possible to make a camera a female gaze? So that was definitely something that was on our mind while we were making the show.

Thank you. That's what we were going for. We were like, is there such a thing? Because the camera is the male gaze. And is it even possible to make a camera a female gaze? So that was definitely something that was on our mind while we were making the show.

And the defining dangerous genius of Liz Merriweather. Because, you know, when you're making a show like this, the scripts keep coming. You sign on to a show, but you don't have all eight episodes. You don't know what the heck's going to happen. You've got one episode and you're kind of crossing your fingers. She just hits them out of the park. Script after script. We're shooting.

And the defining dangerous genius of Liz Merriweather. Because, you know, when you're making a show like this, the scripts keep coming. You sign on to a show, but you don't have all eight episodes. You don't know what the heck's going to happen. You've got one episode and you're kind of crossing your fingers. She just hits them out of the park. Script after script. We're shooting.

And the defining dangerous genius of Liz Merriweather. Because, you know, when you're making a show like this, the scripts keep coming. You sign on to a show, but you don't have all eight episodes. You don't know what the heck's going to happen. You've got one episode and you're kind of crossing your fingers. She just hits them out of the park. Script after script. We're shooting.

She's show running and writing and editing. All these things that go into the title showrunner and then delivering these scripts.

She's show running and writing and editing. All these things that go into the title showrunner and then delivering these scripts.

She's show running and writing and editing. All these things that go into the title showrunner and then delivering these scripts.

Unbelievable.

Unbelievable.

Unbelievable.

I've thought about what is gallows humor? It's not really laughing at something or making a joke because something is sad. The humor is ever present. It's just the ability and the desire to locate it, to say, I want to attach laughter to this experience. Because you could just look through the whole thing darkly. You could just say, oh, this didn't go the way I wanted it to.

I've thought about what is gallows humor? It's not really laughing at something or making a joke because something is sad. The humor is ever present. It's just the ability and the desire to locate it, to say, I want to attach laughter to this experience. Because you could just look through the whole thing darkly. You could just say, oh, this didn't go the way I wanted it to.