Mike Davis

Oh, he did. Yeah. What do you think I should do?

Yeah. Yeah.

Yeah. Yeah.

Yeah. Yeah.

Even if somebody goes on and cleans his clock.

Even if somebody goes on and cleans his clock.

Even if somebody goes on and cleans his clock.

Do you think there was an argument that went the other way when Bill Maher went to the White House? Like you hear, like Larry David wrote that editorial, My Dinner with Adolf. Right. And there's this idea that it's like, look, that's a bridge too far and you're just simply lending credibility. by the very proximity of your presence. I get both, you know?

Do you think there was an argument that went the other way when Bill Maher went to the White House? Like you hear, like Larry David wrote that editorial, My Dinner with Adolf. Right. And there's this idea that it's like, look, that's a bridge too far and you're just simply lending credibility. by the very proximity of your presence. I get both, you know?

Do you think there was an argument that went the other way when Bill Maher went to the White House? Like you hear, like Larry David wrote that editorial, My Dinner with Adolf. Right. And there's this idea that it's like, look, that's a bridge too far and you're just simply lending credibility. by the very proximity of your presence. I get both, you know?

It's like a scene from a movie caramel.

It's like a scene from a movie caramel.

It's like a scene from a movie caramel.

No justice, no peace. It's like, oh, God. I forgot what I was going to say.

No justice, no peace. It's like, oh, God. I forgot what I was going to say.

No justice, no peace. It's like, oh, God. I forgot what I was going to say.

I know. What was it? I think it was something to do with, oh, you mentioned the Lincoln Bedroom. I was at the Henry Ford Museum last night at this event. They have the chair from Ford's Theater that Lincoln was sitting in when he was assassinating. And I stood next to it. And I did something I never do. I took a picture. And I'm not a sentimental person like that.

I know. What was it? I think it was something to do with, oh, you mentioned the Lincoln Bedroom. I was at the Henry Ford Museum last night at this event. They have the chair from Ford's Theater that Lincoln was sitting in when he was assassinating. And I stood next to it. And I did something I never do. I took a picture. And I'm not a sentimental person like that.

I know. What was it? I think it was something to do with, oh, you mentioned the Lincoln Bedroom. I was at the Henry Ford Museum last night at this event. They have the chair from Ford's Theater that Lincoln was sitting in when he was assassinating. And I stood next to it. And I did something I never do. I took a picture. And I'm not a sentimental person like that.

But the Lincoln bedroom, the chair where he was sitting, and right around the corner is the bus where Rosa Parks refused to move. You can sit in the seat where she sat. These... These artifacts, they're very powerful, and it's really easy to minimize them and even dismiss them and not live in wonder in their presence.