Mike Leigh

Absolut. Also gab es viele Dinge. Und hast du auch Becket-Sachen gesehen? Oh ja, absolut. Ich meine, ich habe Ende-Game gesehen, ich glaube, zwölf Mal oder so. Oh, wirklich? Ja, ja. Nein, nein, es war, es war, du weißt, all das war los. Und dann auch, du weißt, in London, ich meine, die Produktionen von Shakespeare und Dingen waren massiv.

Absolut. Also gab es viele Dinge. Und hast du auch Becket-Sachen gesehen? Oh ja, absolut. Ich meine, ich habe Ende-Game gesehen, ich glaube, zwölf Mal oder so. Oh, wirklich? Ja, ja. Nein, nein, es war, es war, du weißt, all das war los. Und dann auch, du weißt, in London, ich meine, die Produktionen von Shakespeare und Dingen waren massiv.

Absolut. Also gab es viele Dinge. Und hast du auch Becket-Sachen gesehen? Oh ja, absolut. Ich meine, ich habe Ende-Game gesehen, ich glaube, zwölf Mal oder so. Oh, wirklich? Ja, ja. Nein, nein, es war, es war, du weißt, all das war los. Und dann auch, du weißt, in London, ich meine, die Produktionen von Shakespeare und Dingen waren massiv.

Und ich habe später in den 60ern, um voranzukommen, ich arbeitete als Assistent Direktor, der Assistent Direktor des Royal Shakespeare Theater in Stratford-on-Avon, arbeitete an den großen Shakespeare Produktionen. Und das führte mich zu meiner Schriftsteller-Seite. Ich meine, in der richtigen Weise auf Shakespeare zu arbeiten, war eine sehr gute Sache für einen Schriftler.

Und ich habe später in den 60ern, um voranzukommen, ich arbeitete als Assistent Direktor, der Assistent Direktor des Royal Shakespeare Theater in Stratford-on-Avon, arbeitete an den großen Shakespeare Produktionen. Und das führte mich zu meiner Schriftsteller-Seite. Ich meine, in der richtigen Weise auf Shakespeare zu arbeiten, war eine sehr gute Sache für einen Schriftler.

Und ich habe später in den 60ern, um voranzukommen, ich arbeitete als Assistent Direktor, der Assistent Direktor des Royal Shakespeare Theater in Stratford-on-Avon, arbeitete an den großen Shakespeare Produktionen. Und das führte mich zu meiner Schriftsteller-Seite. Ich meine, in der richtigen Weise auf Shakespeare zu arbeiten, war eine sehr gute Sache für einen Schriftler.

Oh, absolutely. That was the whole point. They were not stayed old-fashioned, received notion productions of Shakespeare. So you could understand the depth through action. Absolutely. And also about working with actors and all the rest of it. But in that early period in the 60s, I started to...

Oh, absolutely. That was the whole point. They were not stayed old-fashioned, received notion productions of Shakespeare. So you could understand the depth through action. Absolutely. And also about working with actors and all the rest of it. But in that early period in the 60s, I started to...

Oh, absolutely. That was the whole point. They were not stayed old-fashioned, received notion productions of Shakespeare. So you could understand the depth through action. Absolutely. And also about working with actors and all the rest of it. But in that early period in the 60s, I started to...

I am one of two other comrades at the Academy wanted to, knew we wanted to write and I knew I wanted to direct. And I started to evolve just to get the idea that somehow you could write, you could make theater, make films. The writing and the rehearsal and the process could be combined. And that the actor could make more of a contribution than just being an interpreter.

I am one of two other comrades at the Academy wanted to, knew we wanted to write and I knew I wanted to direct. And I started to evolve just to get the idea that somehow you could write, you could make theater, make films. The writing and the rehearsal and the process could be combined. And that the actor could make more of a contribution than just being an interpreter.

I am one of two other comrades at the Academy wanted to, knew we wanted to write and I knew I wanted to direct. And I started to evolve just to get the idea that somehow you could write, you could make theater, make films. The writing and the rehearsal and the process could be combined. And that the actor could make more of a contribution than just being an interpreter.

And by a fluke, in the mid 1965, I got a job. at a new arts center in Birmingham, where they had a brand new state-of-the-art flexible studio theater. And I was supposed to be the assistant director with a company of actors. And when I arrived, there were no actors. There'd been some kind of a bureaucratic thing. And there weren't going to be actors for a while. But I was paid and I was there.

And by a fluke, in the mid 1965, I got a job. at a new arts center in Birmingham, where they had a brand new state-of-the-art flexible studio theater. And I was supposed to be the assistant director with a company of actors. And when I arrived, there were no actors. There'd been some kind of a bureaucratic thing. And there weren't going to be actors for a while. But I was paid and I was there.

And by a fluke, in the mid 1965, I got a job. at a new arts center in Birmingham, where they had a brand new state-of-the-art flexible studio theater. And I was supposed to be the assistant director with a company of actors. And when I arrived, there were no actors. There'd been some kind of a bureaucratic thing. And there weren't going to be actors for a while. But I was paid and I was there.

And they said, okay, well, this is what you have to do. We're going to have an arts club for local 16- to 25-year-olds who want to Du kannst alles machen, was du möchtest. Und so habe ich angefangen, Spiele zu machen. Improvisierte, sogenannte missgenommene improvisierte Spiele. Weil das macht, dass alle denken, dass sie improvisiert sind, auf dem Spot, vor der Audienz. Bilden Spiele.

And they said, okay, well, this is what you have to do. We're going to have an arts club for local 16- to 25-year-olds who want to Du kannst alles machen, was du möchtest. Und so habe ich angefangen, Spiele zu machen. Improvisierte, sogenannte missgenommene improvisierte Spiele. Weil das macht, dass alle denken, dass sie improvisiert sind, auf dem Spot, vor der Audienz. Bilden Spiele.

And they said, okay, well, this is what you have to do. We're going to have an arts club for local 16- to 25-year-olds who want to Du kannst alles machen, was du möchtest. Und so habe ich angefangen, Spiele zu machen. Improvisierte, sogenannte missgenommene improvisierte Spiele. Weil das macht, dass alle denken, dass sie improvisiert sind, auf dem Spot, vor der Audienz. Bilden Spiele.

Und das war wirklich der Anfang der Reise, die ich noch habe.

Und das war wirklich der Anfang der Reise, die ich noch habe.