Mike Leigh

Natürlich. Aber wir sind sehr diszipliniert darüber, Charakter zu werden, Charakter zu sein, aber dann aus Charakter zu kommen. Es ist kein Methoden-Aktivismus. wo man den Charakter wird und ihn 24-7 lebt.

Natürlich. Aber wir sind sehr diszipliniert darüber, Charakter zu werden, Charakter zu sein, aber dann aus Charakter zu kommen. Es ist kein Methoden-Aktivismus. wo man den Charakter wird und ihn 24-7 lebt.

Absolut. Aber ich arbeite immer mit ihnen, wie man den Prozess, durch den man in den Charakter kommen kann. Ja, absolut. Und jetzt, hast du mit Method-Aktoren gesprochen? A bit, but I mean, not to a degree where I can report anything interesting about it.

Absolut. Aber ich arbeite immer mit ihnen, wie man den Prozess, durch den man in den Charakter kommen kann. Ja, absolut. Und jetzt, hast du mit Method-Aktoren gesprochen? A bit, but I mean, not to a degree where I can report anything interesting about it.

Absolut. Aber ich arbeite immer mit ihnen, wie man den Prozess, durch den man in den Charakter kommen kann. Ja, absolut. Und jetzt, hast du mit Method-Aktoren gesprochen? A bit, but I mean, not to a degree where I can report anything interesting about it.

Ich meine, zuerst einmal, wenn wir über sehr einfache Themen sprechen, das Hauptprinzip von Methoden und allem, was das betrifft, ist, dass man den Charakter innerhalb von sich findet. Richtig. No, we're not interested in that. I mean, actors are artists and it's about doing people out there and depicting them. So the actor is the actor and the character is the character.

Ich meine, zuerst einmal, wenn wir über sehr einfache Themen sprechen, das Hauptprinzip von Methoden und allem, was das betrifft, ist, dass man den Charakter innerhalb von sich findet. Richtig. No, we're not interested in that. I mean, actors are artists and it's about doing people out there and depicting them. So the actor is the actor and the character is the character.

Ich meine, zuerst einmal, wenn wir über sehr einfache Themen sprechen, das Hauptprinzip von Methoden und allem, was das betrifft, ist, dass man den Charakter innerhalb von sich findet. Richtig. No, we're not interested in that. I mean, actors are artists and it's about doing people out there and depicting them. So the actor is the actor and the character is the character.

And in fact, if you don't do that, this is sort of... Ja. Negotiate with the actor and construct a scene. Because, notwithstanding what you said a few moments ago, my films are not naturalistic. It's realism, not naturalism. It's not surface naturalism. It gets to the essence of what's real. And it's heightened and dramatic and constructed and distilled and not just ad hoc reality.

And in fact, if you don't do that, this is sort of... Ja. Negotiate with the actor and construct a scene. Because, notwithstanding what you said a few moments ago, my films are not naturalistic. It's realism, not naturalism. It's not surface naturalism. It gets to the essence of what's real. And it's heightened and dramatic and constructed and distilled and not just ad hoc reality.

And in fact, if you don't do that, this is sort of... Ja. Negotiate with the actor and construct a scene. Because, notwithstanding what you said a few moments ago, my films are not naturalistic. It's realism, not naturalism. It's not surface naturalism. It gets to the essence of what's real. And it's heightened and dramatic and constructed and distilled and not just ad hoc reality.

improvisational stuff right and you know to construct a scene the actor needs to be able to be objective out of character and then go into character and come out of character and that's a discipline yeah whereas if the actor is you know i am the character and i'm i've just been through this emotional traumatic experience and don't talk to me i you know there's no way in a million years that you can construct a

improvisational stuff right and you know to construct a scene the actor needs to be able to be objective out of character and then go into character and come out of character and that's a discipline yeah whereas if the actor is you know i am the character and i'm i've just been through this emotional traumatic experience and don't talk to me i you know there's no way in a million years that you can construct a

improvisational stuff right and you know to construct a scene the actor needs to be able to be objective out of character and then go into character and come out of character and that's a discipline yeah whereas if the actor is you know i am the character and i'm i've just been through this emotional traumatic experience and don't talk to me i you know there's no way in a million years that you can construct a

To do what you do.

To do what you do.

To do what you do.

Extraordinary, really. You consider that it was made 100 years ago. Yeah.

Extraordinary, really. You consider that it was made 100 years ago. Yeah.

Extraordinary, really. You consider that it was made 100 years ago. Yeah.