Mike Schur

The reason to do this is to write this story, which is a terrible and also beautiful story of a very, very specific moment in time in the history of the game I love. And to film this and make it exactly the way I want it to and put it out into the world. And that is the, when you ask me what's the thing I mourn that I lost, that's the thing that I mourn the most.

The reason to do this is to write this story, which is a terrible and also beautiful story of a very, very specific moment in time in the history of the game I love. And to film this and make it exactly the way I want it to and put it out into the world. And that is the, when you ask me what's the thing I mourn that I lost, that's the thing that I mourn the most.

We leased the land from the folks who own it for a certain number of months, and I don't remember how many months it was. But I think that lease has expired, so I think it's just back in their hands again.

We leased the land from the folks who own it for a certain number of months, and I don't remember how many months it was. But I think that lease has expired, so I think it's just back in their hands again.

We leased the land from the folks who own it for a certain number of months, and I don't remember how many months it was. But I think that lease has expired, so I think it's just back in their hands again.

There's never no chance, I would say. I mean, as quickly as the sands shifted in Hollywood in a way that was detrimental to the project, they could shift back the other way tomorrow. Who knows? I mean, I'm always going to hold out a little hope because it did mean a lot to me to work on it. I think it meant a lot to the writers and to the crew that worked on it.

There's never no chance, I would say. I mean, as quickly as the sands shifted in Hollywood in a way that was detrimental to the project, they could shift back the other way tomorrow. Who knows? I mean, I'm always going to hold out a little hope because it did mean a lot to me to work on it. I think it meant a lot to the writers and to the crew that worked on it.

There's never no chance, I would say. I mean, as quickly as the sands shifted in Hollywood in a way that was detrimental to the project, they could shift back the other way tomorrow. Who knows? I mean, I'm always going to hold out a little hope because it did mean a lot to me to work on it. I think it meant a lot to the writers and to the crew that worked on it.

We were all getting very excited to shoot it. But for now, you know, it is dormant as we speak. And it'll take a miracle, I would say, to get it up and running again. But, I mean, that's sort of the message of the movie, right? You should believe in the possibility of miracles. So I don't think, however much longer I am a writer in Hollywood, I don't think I will ever...

We were all getting very excited to shoot it. But for now, you know, it is dormant as we speak. And it'll take a miracle, I would say, to get it up and running again. But, I mean, that's sort of the message of the movie, right? You should believe in the possibility of miracles. So I don't think, however much longer I am a writer in Hollywood, I don't think I will ever...

We were all getting very excited to shoot it. But for now, you know, it is dormant as we speak. And it'll take a miracle, I would say, to get it up and running again. But, I mean, that's sort of the message of the movie, right? You should believe in the possibility of miracles. So I don't think, however much longer I am a writer in Hollywood, I don't think I will ever...

bis zu dem Punkt, wo ich es komplett aufgeben kann. Weißt du, wie es ist, wenn dein Team 75 und 78 ist und es sind noch zwölf Spiele übrig und du siehst die Spielausgaben, es sagt weniger als 0,1 Prozent. Es sagt nicht Null.

bis zu dem Punkt, wo ich es komplett aufgeben kann. Weißt du, wie es ist, wenn dein Team 75 und 78 ist und es sind noch zwölf Spiele übrig und du siehst die Spielausgaben, es sagt weniger als 0,1 Prozent. Es sagt nicht Null.

bis zu dem Punkt, wo ich es komplett aufgeben kann. Weißt du, wie es ist, wenn dein Team 75 und 78 ist und es sind noch zwölf Spiele übrig und du siehst die Spielausgaben, es sagt weniger als 0,1 Prozent. Es sagt nicht Null.

My pleasure. Well, not really, but for the sake of this podcast, my pleasure.

My pleasure. Well, not really, but for the sake of this podcast, my pleasure.

My pleasure. Well, not really, but for the sake of this podcast, my pleasure.

Welcome to a very special episode of The Lonely Island and Seth Meyers Podcast. Before we start, I want to stress that we've put exactly as much thought into this episode as all previous episodes, which is not much. but I am joined by two luminaries who are going to help us select the criterion collection of the first 34 shorts we have covered on the podcast.

Welcome to a very special episode of The Lonely Island and Seth Meyers Podcast. Before we start, I want to stress that we've put exactly as much thought into this episode as all previous episodes, which is not much. but I am joined by two luminaries who are going to help us select the criterion collection of the first 34 shorts we have covered on the podcast.

Welcome to a very special episode of The Lonely Island and Seth Meyers Podcast. Before we start, I want to stress that we've put exactly as much thought into this episode as all previous episodes, which is not much. but I am joined by two luminaries who are going to help us select the criterion collection of the first 34 shorts we have covered on the podcast.