Reading Sydney Noir, finding plague pits in the backyard with Minette Walters, Anne Summers on fiction and new journalism and Sally Rippin's bookshelf
So the same skills that allows you to create a murder mystery, if you like, which does require quite a lot of analysis, research in order to get your details right, are exactly the same skills that you need to understand a historical period properly.
Reading Sydney Noir, finding plague pits in the backyard with Minette Walters, Anne Summers on fiction and new journalism and Sally Rippin's bookshelf
I mean, in the sense that... But I suppose what I would say, though, is that certainly The Last Hours, which is the first one, in a sense that is a very claustrophobic environment.
Reading Sydney Noir, finding plague pits in the backyard with Minette Walters, Anne Summers on fiction and new journalism and Sally Rippin's bookshelf
But I still think, you know, it is quite a small cast of characters, and very deliberately so, because the contemporary chroniclers at the time wrote that only one in ten of the people of Dorset survived.
Reading Sydney Noir, finding plague pits in the backyard with Minette Walters, Anne Summers on fiction and new journalism and Sally Rippin's bookshelf
that came into the port of Weymouth which was then called Melcombe and from there within about three months it had spread throughout Dorset and into the neighbouring counties and within six months it had spread across the entire south of England