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Minette Walters

๐Ÿ‘ค Speaker
119 total appearances

Appearances Over Time

Podcast Appearances

The Bookshelf
Reading Sydney Noir, finding plague pits in the backyard with Minette Walters, Anne Summers on fiction and new journalism and Sally Rippin's bookshelf

Well, funny enough, actually, I think crime writers make good historical fiction writers because you need the same qualities.

The Bookshelf
Reading Sydney Noir, finding plague pits in the backyard with Minette Walters, Anne Summers on fiction and new journalism and Sally Rippin's bookshelf

You need to have an analytical mind.

The Bookshelf
Reading Sydney Noir, finding plague pits in the backyard with Minette Walters, Anne Summers on fiction and new journalism and Sally Rippin's bookshelf

So the same skills that allows you to create a murder mystery, if you like, which does require quite a lot of analysis, research in order to get your details right, are exactly the same skills that you need to understand a historical period properly.

The Bookshelf
Reading Sydney Noir, finding plague pits in the backyard with Minette Walters, Anne Summers on fiction and new journalism and Sally Rippin's bookshelf

and then build a story set in that period.

The Bookshelf
Reading Sydney Noir, finding plague pits in the backyard with Minette Walters, Anne Summers on fiction and new journalism and Sally Rippin's bookshelf

So there are a lot of similarities.

The Bookshelf
Reading Sydney Noir, finding plague pits in the backyard with Minette Walters, Anne Summers on fiction and new journalism and Sally Rippin's bookshelf

I think the historical fiction requires more research there, unless you already are very well acquainted with the period.

The Bookshelf
Reading Sydney Noir, finding plague pits in the backyard with Minette Walters, Anne Summers on fiction and new journalism and Sally Rippin's bookshelf

But that's the fun part, or at least I found it the fun part, doing the research.

The Bookshelf
Reading Sydney Noir, finding plague pits in the backyard with Minette Walters, Anne Summers on fiction and new journalism and Sally Rippin's bookshelf

That is true.

The Bookshelf
Reading Sydney Noir, finding plague pits in the backyard with Minette Walters, Anne Summers on fiction and new journalism and Sally Rippin's bookshelf

I mean, in the sense that... But I suppose what I would say, though, is that certainly The Last Hours, which is the first one, in a sense that is a very claustrophobic environment.

The Bookshelf
Reading Sydney Noir, finding plague pits in the backyard with Minette Walters, Anne Summers on fiction and new journalism and Sally Rippin's bookshelf

So though there are more people in the story, because there are 200 people living in very cramped conditions inside a moat,

The Bookshelf
Reading Sydney Noir, finding plague pits in the backyard with Minette Walters, Anne Summers on fiction and new journalism and Sally Rippin's bookshelf

endorse it to try and keep the pestilence out.

The Bookshelf
Reading Sydney Noir, finding plague pits in the backyard with Minette Walters, Anne Summers on fiction and new journalism and Sally Rippin's bookshelf

The story focuses on still only really a handful of people and it's only when the pestilence is beginning to pass

The Bookshelf
Reading Sydney Noir, finding plague pits in the backyard with Minette Walters, Anne Summers on fiction and new journalism and Sally Rippin's bookshelf

And Thaddeus Thurkle has the courage to go out from devilish, from his domain, to find out what's happening beyond their boundaries.

The Bookshelf
Reading Sydney Noir, finding plague pits in the backyard with Minette Walters, Anne Summers on fiction and new journalism and Sally Rippin's bookshelf

That in a sense, I bring more people in.

The Bookshelf
Reading Sydney Noir, finding plague pits in the backyard with Minette Walters, Anne Summers on fiction and new journalism and Sally Rippin's bookshelf

But I still think, you know, it is quite a small cast of characters, and very deliberately so, because the contemporary chroniclers at the time wrote that only one in ten of the people of Dorset survived.

The Bookshelf
Reading Sydney Noir, finding plague pits in the backyard with Minette Walters, Anne Summers on fiction and new journalism and Sally Rippin's bookshelf

We're in 1348, so mid-14th century.

The Bookshelf
Reading Sydney Noir, finding plague pits in the backyard with Minette Walters, Anne Summers on fiction and new journalism and Sally Rippin's bookshelf

We're in Dorset in England, where the Black Death first came into England.

The Bookshelf
Reading Sydney Noir, finding plague pits in the backyard with Minette Walters, Anne Summers on fiction and new journalism and Sally Rippin's bookshelf

It landed, came in on a French ship.

The Bookshelf
Reading Sydney Noir, finding plague pits in the backyard with Minette Walters, Anne Summers on fiction and new journalism and Sally Rippin's bookshelf

that came into the port of Weymouth which was then called Melcombe and from there within about three months it had spread throughout Dorset and into the neighbouring counties and within six months it had spread across the entire south of England

The Bookshelf
Reading Sydney Noir, finding plague pits in the backyard with Minette Walters, Anne Summers on fiction and new journalism and Sally Rippin's bookshelf

Within two years, it had reached every single part of the British Isles, which is staggering to think about.

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