Mo Amir

And that's why like the closer even of the special is all about time.

How we make use of our time is kind of like this poem, this reflection, this bit, sometimes funny, sometimes mostly reflective.

And I wrote that like the day before I filmed the special.

Wow.

And it was like four pages long and I was just panicking, but I was also really inspired and I had to do it.

This was like something that I had to do.

And you talk about like, oh, you got to take a year or two years to develop a tune.

That's true.

But sometimes you got to have the guts to follow your instincts and to understand like, oh, you got to follow your inspiration and the things that you write, you got to believe in and then you push forward and

And you put yourself and everybody else around you in a slight panic attack.

But when you're done, it's tremendous.

And that's how I feel about it.

Yeah, they are.

Because I wonder how many people actually have those moments and they get too scared or their fear stops them from doing it.

I think most.

Yeah.

And I think with season two of making my show, I can't tell you how many times I rewrote stuff on set that took it from like a B plus to an A plus.

There's so many moments that just elevated things or change a setup, which is, you know, not easy to do when you're under that kind of stress of finishing at a certain time.

And, you know, there's all these implications if you don't execute, you know, especially on a film set.

yeah uh tv set you know it just causes a tremendous domino effect so you have to really be on top of it and really understand like what story you're trying to tell and really believe in those instincts and know how to execute and i find myself i'm really great at it like this is actually the thing i i work best with my under my back under pressure yeah a