Molly Rogers

you know, a woman that, a character that Meryl and Pat created.

We weren't shooting a documentary on Anna, you know.

It's true, they needed to create a character that didn't exist, appearance-wise, and

other reasons.

But, you know, it was obvious that a powerful woman like that would have a very strong silhouette.

She would need a lot of frills or bows and whistles.

And with an actress like Meryl, you don't need to adorn them, you know.

You just need to create a frame.

So that was kind of my

You know, I followed that rule to just go very clean and powerful and confident and all those buzzwords for a woman of that stature.

And Emily...

Blunt's character, because she's so sharp-witted, British, that rotten, biting humor that we all love so much, her costumes got to have the edge in the first movie.

And we went to Century 21 all day long and scooped Vivian Westwood and Rick Owen and Margella and threw that all together for her.

So she...

She's the most fashion forward of the characters in the first movie, so I followed that through line.

And Andrea Sachs was not as difficult in the first movie as she was to formulate an idea in the second one.

She was a fish out of water in the first movie.

The end, okay?

her transformation scene is the Chanel thigh-high boot.

That's when she has access to this fabulous closet.