Morgan Linton

All right, let's see.

So then, can this, all right, we've given, I don't know about you, but this is the last chance I'm going to give Codex on the design side.

It's out of opportunities here.

So, oh, here, it's funny though.

In the end, it kind of, it's acting a little bit like data from Star Trek.

When you question what are credits, in this context, credits usually means...

wasn't quite it that's good though okay so let's see let's take a look and see all right here we go the new version of signal market boom oh okay this is getting a little bit interesting let's see here read the manifesto yeah I mean I don't hate it it's definitely better yeah I mean it's it's got a lot going on yeah

This is so good.

It's so fast.

I would say, like I said, I'm not going to say which one is, it's not that Opus is better than Codex or vice versa, but I would say in this test, Opus won.

Yeah.

Yeah.

But we could give it another, I mean, you know, you never know.

Like, I think that what's interesting about this is, I mean, Codex built it, like, I don't know how much faster we can look at the timing on this video, but like 20 times faster or something, right?

Yeah.

Yeah.

Let me see if there is anything else in here.

I covered the adaptive thinking.

Oh, I guess just on the orchestration, I would say, you know, this is a feature I'm probably the most excited about with Opus.

And clearly we saw in this example, it working really well.