Naima Fatema

I did also quite like that everyone that they had on still worked at Vogue, like that they had like a career trajectory there and they were all in quite senior roles now.

So that element of the movie where they kept saying, you know, you just do this for two years and it's going to be the hardest two years of your life, but you're going to have an amazing job afterwards and all these opportunities.

Yeah.

I guess that part of it was correct.

As much as the buck stops with Anna, in my opinion.

Because it wouldn't have happened if you didn't say yes.

But this to me does feel like this has Chloe's stamp all over it and this like new direction and age for Vogue.

And I think that you kind of see that where it's like it's not just about the magazine.

There's so many other supporting elements in that like.

The sourcing of the secondhand books for the book club, the book club being able to see the movie first.

Like, you know, the fact that there was a podcast episode that supported it straight after the article came out, there was such a multi-channel approach, which to me seems like a clubby touch, but the overall...

like branding piece has come from Miranda.

So Miranda has come from Anna and I think those two elements have moulded very nicely together.

And I think Chloe's been very smart in thinking about what is the face of Vogue and not wasting that.

Yeah, I think it makes me really excited for the Met Gala because it's like this is such a beautiful lead up straight into it.

I'm very interested in seeing if it's going to look differently this year because notoriously it is Anna's baby.

So what's going to be the rollout that's different with Chloe at the helm?

I think so, yes.

Yes.