Naomi McPherson

Um, but the baseline, the baseline, the lead synth, I ended up like programming it on another, on another synth.

But yeah, we took this beat from him, cut it up,

made the form that it has, and we were just like looping it.

And it was like stream of consciousness lyrics.

But it was your idea to be like, it's something like it gets so hot.

Yeah, we went to barbecue and it was really hot outside.

Yeah, in the morning, it's just one of those things that happens.

I mean, it's been happening in LA and New York the past couple of weeks.

We're in May now, so the seasons are changing, but...

It's a pure dance song, but it's disorienting.

And I think you're hitting the nail on the head.

There is something sort of unsettling and unsettled about the heat.

It is like it penetrates the song and creates this sort of like dizzying, disorienting mirage on the top of a hill kind of like sense.

Yeah.

Yeah.

And also when I first moved to LA and we were at USC, like that kind of burdensome sun on these like endless stretches of concrete in like food deserts.

There's like a feeling of like, I live in a dystopia.

And so therefore I'm going to behave like a heathen.

And I think that that was enough.

to work with for like to build this world of the song and naomi has said before that like that track on the album kind of serves as the like in fair verona yeah the record like it's like it's setting the scene of like this is where we are playing out this drama