Nathan Lane

Yes, you find your... You know, you have to find the person who laughs at your jokes and gets it. And gets what you're talking about.

I think, you know, honestly, I can remember as a child, like, doing, they would say, I would get up and do impressions. I would try to entertain the family. And I had, like, a bad club act. And then I was in a, you know, a grammar school play. I remember getting a laugh in that and thinking, oh, this was like blood to a vampire. Yes, yeah.

I think, you know, honestly, I can remember as a child, like, doing, they would say, I would get up and do impressions. I would try to entertain the family. And I had, like, a bad club act. And then I was in a, you know, a grammar school play. I remember getting a laugh in that and thinking, oh, this was like blood to a vampire. Yes, yeah.

I think, you know, honestly, I can remember as a child, like, doing, they would say, I would get up and do impressions. I would try to entertain the family. And I had, like, a bad club act. And then I was in a, you know, a grammar school play. I remember getting a laugh in that and thinking, oh, this was like blood to a vampire. Yes, yeah.

And then in high school, I started to do plays and it was social. It was finding your people. But it was just I didn't I didn't think it could be a profession. Right. Nor did I. And and then nearing the end of high school, I realized maybe I could. My brother would also not only encouraged me, but he took me to see theater in New York to see theater. plays on Broadway and off Broadway.

And then in high school, I started to do plays and it was social. It was finding your people. But it was just I didn't I didn't think it could be a profession. Right. Nor did I. And and then nearing the end of high school, I realized maybe I could. My brother would also not only encouraged me, but he took me to see theater in New York to see theater. plays on Broadway and off Broadway.

And then in high school, I started to do plays and it was social. It was finding your people. But it was just I didn't I didn't think it could be a profession. Right. Nor did I. And and then nearing the end of high school, I realized maybe I could. My brother would also not only encouraged me, but he took me to see theater in New York to see theater. plays on Broadway and off Broadway.

And sometimes with classes that he was teaching, he would take a class and I would go with him. And I would, you know, that first experience of watching the curtain go up and the lights on the stage and thinking, I'd like to be a part of that. I think maybe I could do that. Yeah. And the excitement of just the ritual of it all.

And sometimes with classes that he was teaching, he would take a class and I would go with him. And I would, you know, that first experience of watching the curtain go up and the lights on the stage and thinking, I'd like to be a part of that. I think maybe I could do that. Yeah. And the excitement of just the ritual of it all.

And sometimes with classes that he was teaching, he would take a class and I would go with him. And I would, you know, that first experience of watching the curtain go up and the lights on the stage and thinking, I'd like to be a part of that. I think maybe I could do that. Yeah. And the excitement of just the ritual of it all.

People quieting down as the curtain goes up and there's, you know, nothing quite like it.

People quieting down as the curtain goes up and there's, you know, nothing quite like it.

People quieting down as the curtain goes up and there's, you know, nothing quite like it.

Yes.

Yes.

Yes.

Absolutely.

Absolutely.

Absolutely.

No, I'm, you know, I'm here making this multicam mid-century modern. And every Tuesday night when we tape it, it's like you feel the adrenaline and you think, you know, you want it to go well. And there's because of this process, which is sort of a whirlwind process. And I was saying to someone today, it's really more of a writer's process. It's their sort of rewriting. This is multicam.