Nichole Hill

Yes, hello. I'm Nicole Hill. I am the story editor for this season. This is my first season with the show. And I would have to say, like, the thing that really stood out to me, this is really, really a very heavy, very emotional, very, like, delicate topic. And I loved...

Yes, hello. I'm Nicole Hill. I am the story editor for this season. This is my first season with the show. And I would have to say, like, the thing that really stood out to me, this is really, really a very heavy, very emotional, very, like, delicate topic. And I loved...

Yes, hello. I'm Nicole Hill. I am the story editor for this season. This is my first season with the show. And I would have to say, like, the thing that really stood out to me, this is really, really a very heavy, very emotional, very, like, delicate topic. And I loved...

I mean, for lack of a better term, sort of our writer's room or the editor's room where we talked about how do we want to approach these? How do we infuse as much empathy and understanding into the story and into everybody who's being represented in the story as possible? And I was raised an evangelical Christian. I'm not that anymore, but I am still a person of faith.

I mean, for lack of a better term, sort of our writer's room or the editor's room where we talked about how do we want to approach these? How do we infuse as much empathy and understanding into the story and into everybody who's being represented in the story as possible? And I was raised an evangelical Christian. I'm not that anymore, but I am still a person of faith.

I mean, for lack of a better term, sort of our writer's room or the editor's room where we talked about how do we want to approach these? How do we infuse as much empathy and understanding into the story and into everybody who's being represented in the story as possible? And I was raised an evangelical Christian. I'm not that anymore, but I am still a person of faith.

And I think that the way that we thought about faith and how to represent it was with so much care, with so much intentionality. And so it just made the story editing. I just feel like I upped my story editing game that much more from the conversations that we had about how do we push ourselves to be even more thoughtful and empathetic and understanding.

And I think that the way that we thought about faith and how to represent it was with so much care, with so much intentionality. And so it just made the story editing. I just feel like I upped my story editing game that much more from the conversations that we had about how do we push ourselves to be even more thoughtful and empathetic and understanding.

And I think that the way that we thought about faith and how to represent it was with so much care, with so much intentionality. And so it just made the story editing. I just feel like I upped my story editing game that much more from the conversations that we had about how do we push ourselves to be even more thoughtful and empathetic and understanding.

This has been like it's a heavy, heavy, heavy project, but it has just been also the way that we've approached it. I think we've taken a lot of care of one another and done our best to take care of the people whose stories we got to tell. So I've loved it.

This has been like it's a heavy, heavy, heavy project, but it has just been also the way that we've approached it. I think we've taken a lot of care of one another and done our best to take care of the people whose stories we got to tell. So I've loved it.

This has been like it's a heavy, heavy, heavy project, but it has just been also the way that we've approached it. I think we've taken a lot of care of one another and done our best to take care of the people whose stories we got to tell. So I've loved it.

You want to do like Mariah, like just a hard 180. Yeah, exactly. So I have a Black history comedy storytelling show. It's called Our Ancestors Were Messy. And on it, I'm telling stories that I found in historical Black newspapers and their gossip columns and society pages and looking at both

You want to do like Mariah, like just a hard 180. Yeah, exactly. So I have a Black history comedy storytelling show. It's called Our Ancestors Were Messy. And on it, I'm telling stories that I found in historical Black newspapers and their gossip columns and society pages and looking at both

You want to do like Mariah, like just a hard 180. Yeah, exactly. So I have a Black history comedy storytelling show. It's called Our Ancestors Were Messy. And on it, I'm telling stories that I found in historical Black newspapers and their gossip columns and society pages and looking at both

how our ancestors thought about beating Jim Crow while also just being so messy and just living their lives and making mistakes and figuring out, you know, what is it going to mean to be Black in America immediately after slavery and before the civil rights era. So there's lots of sound design. It's meant to feel a little bit like a movie.

how our ancestors thought about beating Jim Crow while also just being so messy and just living their lives and making mistakes and figuring out, you know, what is it going to mean to be Black in America immediately after slavery and before the civil rights era. So there's lots of sound design. It's meant to feel a little bit like a movie.

how our ancestors thought about beating Jim Crow while also just being so messy and just living their lives and making mistakes and figuring out, you know, what is it going to mean to be Black in America immediately after slavery and before the civil rights era. So there's lots of sound design. It's meant to feel a little bit like a movie.

It's meant to feel fun, but also, you know, to make you think a little bit, hopefully. Yeah.

It's meant to feel fun, but also, you know, to make you think a little bit, hopefully. Yeah.