Nicole Hill

Mm-mm. They are going to cross paths.

Mm-mm. They are going to cross paths.

Mm-mm. They are going to cross paths.

but she has to pull her kids out of their schools to help earn money for their survival. Some of the members of the first families probably still stop by her little house on I Street and wish her well, but it's clear to everyone that Lucinda is now even further away from being one of them than she was before.

but she has to pull her kids out of their schools to help earn money for their survival. Some of the members of the first families probably still stop by her little house on I Street and wish her well, but it's clear to everyone that Lucinda is now even further away from being one of them than she was before.

but she has to pull her kids out of their schools to help earn money for their survival. Some of the members of the first families probably still stop by her little house on I Street and wish her well, but it's clear to everyone that Lucinda is now even further away from being one of them than she was before.

She'd married into a precarious financial situation, and now she was a poor with no hope of ever advancing the end. So now, we're back. We're back with Lulu and Dion in the 1880s. We left Lulu. She's crying in her bedroom, probably, making it up. But, you know, she's sobbing. Dion is there. She's rubbing her head. She's saying, don't worry about Craig. Well, all men are dogs.

She'd married into a precarious financial situation, and now she was a poor with no hope of ever advancing the end. So now, we're back. We're back with Lulu and Dion in the 1880s. We left Lulu. She's crying in her bedroom, probably, making it up. But, you know, she's sobbing. Dion is there. She's rubbing her head. She's saying, don't worry about Craig. Well, all men are dogs.

She'd married into a precarious financial situation, and now she was a poor with no hope of ever advancing the end. So now, we're back. We're back with Lulu and Dion in the 1880s. We left Lulu. She's crying in her bedroom, probably, making it up. But, you know, she's sobbing. Dion is there. She's rubbing her head. She's saying, don't worry about Craig. Well, all men are dogs.

It's going to be okay. Then, I picture Lulu's father, Richard, poking his head in the room to check on his daughter. Lulu, she doesn't notice him because she's sobbing. But Dion looks up. The two exchanged a knowing glance. What was that look? Cut to Lucinda's house. Lucinda's scene is still in D.C., in that little house on I Street.

It's going to be okay. Then, I picture Lulu's father, Richard, poking his head in the room to check on his daughter. Lulu, she doesn't notice him because she's sobbing. But Dion looks up. The two exchanged a knowing glance. What was that look? Cut to Lucinda's house. Lucinda's scene is still in D.C., in that little house on I Street.

It's going to be okay. Then, I picture Lulu's father, Richard, poking his head in the room to check on his daughter. Lulu, she doesn't notice him because she's sobbing. But Dion looks up. The two exchanged a knowing glance. What was that look? Cut to Lucinda's house. Lucinda's scene is still in D.C., in that little house on I Street.

And she would have likely been watching the Lulu Craigwell affair with a lot of interest. Maybe because the story mirrored her own, or maybe because she had made it her and her six kids' business to know exactly what the first families were getting into and to tell everybody.

And she would have likely been watching the Lulu Craigwell affair with a lot of interest. Maybe because the story mirrored her own, or maybe because she had made it her and her six kids' business to know exactly what the first families were getting into and to tell everybody.

And she would have likely been watching the Lulu Craigwell affair with a lot of interest. Maybe because the story mirrored her own, or maybe because she had made it her and her six kids' business to know exactly what the first families were getting into and to tell everybody.

They may have counted her out, but they shouldn't have because Lucinda has a son named William Chase, and he's all grown up now, and she's taught him everything she knows. William and Lucinda are coming for the first families, and sadly, Lulu will find herself caught in the crossfire.

They may have counted her out, but they shouldn't have because Lucinda has a son named William Chase, and he's all grown up now, and she's taught him everything she knows. William and Lucinda are coming for the first families, and sadly, Lulu will find herself caught in the crossfire.

They may have counted her out, but they shouldn't have because Lucinda has a son named William Chase, and he's all grown up now, and she's taught him everything she knows. William and Lucinda are coming for the first families, and sadly, Lulu will find herself caught in the crossfire.

back to lulu she's single now but then she meets a man his name is mr sneed mr who mr sneed s-n-e-e-d okay so she's back outside she's back outside all right she got her toes she doesn't have her toes out it's the gilded age but no no no no whatever that version is like hey girl we've got a new man forget that old one we're moving on Mm-hmm.

back to lulu she's single now but then she meets a man his name is mr sneed mr who mr sneed s-n-e-e-d okay so she's back outside she's back outside all right she got her toes she doesn't have her toes out it's the gilded age but no no no no whatever that version is like hey girl we've got a new man forget that old one we're moving on Mm-hmm.