Nicole Lappin

She released Fearless, Taylor's Version in 2021, then Red, Taylor's Version, then Speak Now in 1989.

She released Fearless, Taylor's Version in 2021, then Red, Taylor's Version, then Speak Now in 1989.

She released Fearless, Taylor's Version in 2021, then Red, Taylor's Version, then Speak Now in 1989.

each one was a massive success 1989 taylor's version had an even bigger opening week than the original did according to billboard it debuted with the equivalent of 1.65 million album sales in the u.s making it the biggest week of her career at the time the tortured poets department has since topped it so this does sound genius And kind of like copyright infringement.

each one was a massive success 1989 taylor's version had an even bigger opening week than the original did according to billboard it debuted with the equivalent of 1.65 million album sales in the u.s making it the biggest week of her career at the time the tortured poets department has since topped it so this does sound genius And kind of like copyright infringement.

each one was a massive success 1989 taylor's version had an even bigger opening week than the original did according to billboard it debuted with the equivalent of 1.65 million album sales in the u.s making it the biggest week of her career at the time the tortured poets department has since topped it so this does sound genius And kind of like copyright infringement.

You might wonder how Taylor can re-release the same music, same song titles, and not get sued by the people who own her masters. Well, here's where music industry standards get really interesting. Typically, every song recorded by an artist signed with a label in the U.S. anyway has two copyrights.

You might wonder how Taylor can re-release the same music, same song titles, and not get sued by the people who own her masters. Well, here's where music industry standards get really interesting. Typically, every song recorded by an artist signed with a label in the U.S. anyway has two copyrights.

You might wonder how Taylor can re-release the same music, same song titles, and not get sued by the people who own her masters. Well, here's where music industry standards get really interesting. Typically, every song recorded by an artist signed with a label in the U.S. anyway has two copyrights.

The master recording, which is the aspect we've been talking about, and then there's a second copyright, the composition, which covers lyrics and music. So Taylor did own the composition rights for her first six albums, which allowed her to legally release her own versions of her back catalog. The next album that was on deck for re-release was the Reputation album.

The master recording, which is the aspect we've been talking about, and then there's a second copyright, the composition, which covers lyrics and music. So Taylor did own the composition rights for her first six albums, which allowed her to legally release her own versions of her back catalog. The next album that was on deck for re-release was the Reputation album.

The master recording, which is the aspect we've been talking about, and then there's a second copyright, the composition, which covers lyrics and music. So Taylor did own the composition rights for her first six albums, which allowed her to legally release her own versions of her back catalog. The next album that was on deck for re-release was the Reputation album.

Taylor has been teasing this for a hot minute now, and as of late last month, the first Taylor's version of a song off the Reputation album was included in a Handmaid's Tale episode. But honestly, we don't really need a Reputation re-release anymore now because Taylor owns all of her masters. On May 30th, Taylor announced that she bought back her masters from Shamrock Capital.

Taylor has been teasing this for a hot minute now, and as of late last month, the first Taylor's version of a song off the Reputation album was included in a Handmaid's Tale episode. But honestly, we don't really need a Reputation re-release anymore now because Taylor owns all of her masters. On May 30th, Taylor announced that she bought back her masters from Shamrock Capital.

Taylor has been teasing this for a hot minute now, and as of late last month, the first Taylor's version of a song off the Reputation album was included in a Handmaid's Tale episode. But honestly, we don't really need a Reputation re-release anymore now because Taylor owns all of her masters. On May 30th, Taylor announced that she bought back her masters from Shamrock Capital.

She wrote to her fans a play on her own lyrics in a very Taylor way. She said, quote, I can't thank you enough for helping me reunite with this art that I have dedicated my life to but have never owned until now. The best things that have ever been mine finally actually are. She now owns her original recordings, music videos, concert films, album art, photography, and even unreleased songs.

She wrote to her fans a play on her own lyrics in a very Taylor way. She said, quote, I can't thank you enough for helping me reunite with this art that I have dedicated my life to but have never owned until now. The best things that have ever been mine finally actually are. She now owns her original recordings, music videos, concert films, album art, photography, and even unreleased songs.

She wrote to her fans a play on her own lyrics in a very Taylor way. She said, quote, I can't thank you enough for helping me reunite with this art that I have dedicated my life to but have never owned until now. The best things that have ever been mine finally actually are. She now owns her original recordings, music videos, concert films, album art, photography, and even unreleased songs.

The price was not disclosed, but sources told The New York Times that she paid close to what Shamrock had initially paid Braun. Beyond the catalog, Taylor owning her masters means that she'll bring in even more revenue from her work. Already, Taylor is number 21 on the Forbes ranking of the richest self-made women with an estimated net worth of $1.6 billion.

The price was not disclosed, but sources told The New York Times that she paid close to what Shamrock had initially paid Braun. Beyond the catalog, Taylor owning her masters means that she'll bring in even more revenue from her work. Already, Taylor is number 21 on the Forbes ranking of the richest self-made women with an estimated net worth of $1.6 billion.