Noah Wyle

It's still pretty intense down there.

I think I did. My stepdad worked at Universal when I was a kid. So you went to the lot and stuff? Went to the lot, got to go to screenings and got to be around people that were working in it. And it was that... When you get to go to the circus, you can enjoy it or you can get to peek backstage and see how the guys that are in the circus are hanging out. I loved watching the guys hang out.

I think I did. My stepdad worked at Universal when I was a kid. So you went to the lot and stuff? Went to the lot, got to go to screenings and got to be around people that were working in it. And it was that... When you get to go to the circus, you can enjoy it or you can get to peek backstage and see how the guys that are in the circus are hanging out. I loved watching the guys hang out.

I think I did. My stepdad worked at Universal when I was a kid. So you went to the lot and stuff? Went to the lot, got to go to screenings and got to be around people that were working in it. And it was that... When you get to go to the circus, you can enjoy it or you can get to peek backstage and see how the guys that are in the circus are hanging out. I loved watching the guys hang out.

Ich arbeite wieder bei Warner Brothers, nach all diesen Jahren. Und es ist immer noch mein Lieblingsspiel im Weltraum, auf dieser Straße zu fahren und über all diese Soundstage zu gehen. Wir sprechen über Geschichte.

Ich arbeite wieder bei Warner Brothers, nach all diesen Jahren. Und es ist immer noch mein Lieblingsspiel im Weltraum, auf dieser Straße zu fahren und über all diese Soundstage zu gehen. Wir sprechen über Geschichte.

Ich arbeite wieder bei Warner Brothers, nach all diesen Jahren. Und es ist immer noch mein Lieblingsspiel im Weltraum, auf dieser Straße zu fahren und über all diese Soundstage zu gehen. Wir sprechen über Geschichte.

In diesen großen Warehäuschen. Wie sind diese Prop-Warehäuser? Phänomenal. Every once in a while they'll have a sale and I go crazy.

In diesen großen Warehäuschen. Wie sind diese Prop-Warehäuser? Phänomenal. Every once in a while they'll have a sale and I go crazy.

In diesen großen Warehäuschen. Wie sind diese Prop-Warehäuser? Phänomenal. Every once in a while they'll have a sale and I go crazy.

When I tell you about the things I've missed out on. Really? The gun that Rod Steiger pulls on Marlon Brando in the back of the car on the waterfront. That came up for auction once. And they wanted nothing for it. And I just missed the auction by a day. I think about that all the time. Like how much? They wanted like $300 for it. Come on.

When I tell you about the things I've missed out on. Really? The gun that Rod Steiger pulls on Marlon Brando in the back of the car on the waterfront. That came up for auction once. And they wanted nothing for it. And I just missed the auction by a day. I think about that all the time. Like how much? They wanted like $300 for it. Come on.

When I tell you about the things I've missed out on. Really? The gun that Rod Steiger pulls on Marlon Brando in the back of the car on the waterfront. That came up for auction once. And they wanted nothing for it. And I just missed the auction by a day. I think about that all the time. Like how much? They wanted like $300 for it. Come on.

Yeah, and the stories behind that particular gun about how they had agreed that it wasn't going to be part of the scene. So when Steiger pulls it, the look of disappointment on Brandos face is him going, come on, I thought we cut that shit. Yeah. And, you know, the fact that Steiger had to do his close-up to the script supervisor because Brando left early. Like, I know all about that scene.

Yeah, and the stories behind that particular gun about how they had agreed that it wasn't going to be part of the scene. So when Steiger pulls it, the look of disappointment on Brandos face is him going, come on, I thought we cut that shit. Yeah. And, you know, the fact that Steiger had to do his close-up to the script supervisor because Brando left early. Like, I know all about that scene.

Yeah, and the stories behind that particular gun about how they had agreed that it wasn't going to be part of the scene. So when Steiger pulls it, the look of disappointment on Brandos face is him going, come on, I thought we cut that shit. Yeah. And, you know, the fact that Steiger had to do his close-up to the script supervisor because Brando left early. Like, I know all about that scene.

I wanted that gun so fucking bad. Who got it?

I wanted that gun so fucking bad. Who got it?

I wanted that gun so fucking bad. Who got it?

Oh, I once bought a series of letters back and forth between Tennessee Williams and Marlon Brando. Oh, my God. Tennessee writes to Brando asking him to star in Rose Tattoo with Anna Magnani. And Brando writes back about why he won't. And Tennessee writes him back about why he's a coward. A coward? Oh, the language is unbelievable. And you have those? I do. Yeah. And what else?