Noah Wyle

Ich musste meine Kinder zu mir bringen, wenn ich konnte, und ich hatte immer Abstände, die sie kommen konnten, um sie mit ihren Lehrern umsetzen zu können, um die Schule zu machen, und Tutoren, wenn ich es brauchte. Und meine Frau, mit der ich jetzt seit 14 Jahren bin, sie ist großartig, sich zu Hause zu setzen, in einem Hotelraum. Also, wenn Kinder klein sind, sind sie ziemlich portabel.

Ich musste meine Kinder zu mir bringen, wenn ich konnte, und ich hatte immer Abstände, die sie kommen konnten, um sie mit ihren Lehrern umsetzen zu können, um die Schule zu machen, und Tutoren, wenn ich es brauchte. Und meine Frau, mit der ich jetzt seit 14 Jahren bin, sie ist großartig, sich zu Hause zu setzen, in einem Hotelraum. Also, wenn Kinder klein sind, sind sie ziemlich portabel.

We homeschooled our youngest for a while, which made that easy. But it's, you know, it's life on the road. And that's just part of the gig. I get anxious. So coming back, this is an L.A. job. You know, 250 crew members, lots of background, hundreds of actors. This is a big economic boon to the city to be able to employ this many people in this city.

We homeschooled our youngest for a while, which made that easy. But it's, you know, it's life on the road. And that's just part of the gig. I get anxious. So coming back, this is an L.A. job. You know, 250 crew members, lots of background, hundreds of actors. This is a big economic boon to the city to be able to employ this many people in this city.

We homeschooled our youngest for a while, which made that easy. But it's, you know, it's life on the road. And that's just part of the gig. I get anxious. So coming back, this is an L.A. job. You know, 250 crew members, lots of background, hundreds of actors. This is a big economic boon to the city to be able to employ this many people in this city.

after a 192-day labor strike and after a pandemic. And now after these fires, this city is hurting and could use the work here. So there's actually a petition going around now that a lot of people are signing to try and put a little pressure on the governor, a little pressure on studio heads to make more of a commitment to bring work back here.

after a 192-day labor strike and after a pandemic. And now after these fires, this city is hurting and could use the work here. So there's actually a petition going around now that a lot of people are signing to try and put a little pressure on the governor, a little pressure on studio heads to make more of a commitment to bring work back here.

after a 192-day labor strike and after a pandemic. And now after these fires, this city is hurting and could use the work here. So there's actually a petition going around now that a lot of people are signing to try and put a little pressure on the governor, a little pressure on studio heads to make more of a commitment to bring work back here.

Sie haben die Incentive von letztem Jahr verdoppelt, aber es ist immer noch ein Lotterie-basierter System, um dafür zu arbeiten.

Sie haben die Incentive von letztem Jahr verdoppelt, aber es ist immer noch ein Lotterie-basierter System, um dafür zu arbeiten.

Sie haben die Incentive von letztem Jahr verdoppelt, aber es ist immer noch ein Lotterie-basierter System, um dafür zu arbeiten.

Wenn du es unter einem bestimmten Niveau machst, kannst du es immer noch machen, aber es ist nicht so einfach und so verfügbar, wie es früher war.

Wenn du es unter einem bestimmten Niveau machst, kannst du es immer noch machen, aber es ist nicht so einfach und so verfügbar, wie es früher war.

Wenn du es unter einem bestimmten Niveau machst, kannst du es immer noch machen, aber es ist nicht so einfach und so verfügbar, wie es früher war.

I sent out a little letter to our casting agent, Kathy Sandrich, that went out with all the breakdowns. That was basically kind of a mission statement about what we're trying to do. And I made it analogous to an Altman movie. I said, this is more like Nashville or MASH, where it's a tapestry piece. There's things happening in the deep background, the foreground, and the other background.

I sent out a little letter to our casting agent, Kathy Sandrich, that went out with all the breakdowns. That was basically kind of a mission statement about what we're trying to do. And I made it analogous to an Altman movie. I said, this is more like Nashville or MASH, where it's a tapestry piece. There's things happening in the deep background, the foreground, and the other background.

I sent out a little letter to our casting agent, Kathy Sandrich, that went out with all the breakdowns. That was basically kind of a mission statement about what we're trying to do. And I made it analogous to an Altman movie. I said, this is more like Nashville or MASH, where it's a tapestry piece. There's things happening in the deep background, the foreground, and the other background.

And sometimes the camera's going to be on, sometimes it's not. But you're going to be alive in your storyline all the time. So we're looking for dynamic performers, people that have got... Theater Background, but mostly we're looking for people that want to buy in to kind of an immersive type of working that is not like a normal TV show. It's more like camp or rap. Yeah.

And sometimes the camera's going to be on, sometimes it's not. But you're going to be alive in your storyline all the time. So we're looking for dynamic performers, people that have got... Theater Background, but mostly we're looking for people that want to buy in to kind of an immersive type of working that is not like a normal TV show. It's more like camp or rap. Yeah.

And sometimes the camera's going to be on, sometimes it's not. But you're going to be alive in your storyline all the time. So we're looking for dynamic performers, people that have got... Theater Background, but mostly we're looking for people that want to buy in to kind of an immersive type of working that is not like a normal TV show. It's more like camp or rap. Yeah.