Olivia Snow

And I think when you want to have a really special moment and you want to have art, I think let that exist. Let that be the moment and then let everything around it compliment it without competing with it. Right. Like her home feels like a competition and there's so much color and there's so many ideas. I don't know. It's kind of a lot.

So it's actually something that I saw in the 90s in my best friend's house. And I hadn't seen it since and I didn't think I was going to see it again. But I saw it there. And, you know, part of me is like, you know, is there was there some nostalgic? Was it she wanting her, you know, whatever? I mean, the pasta in the cupboards is definitely something I wanted to leave behind in the 90s.

So it's actually something that I saw in the 90s in my best friend's house. And I hadn't seen it since and I didn't think I was going to see it again. But I saw it there. And, you know, part of me is like, you know, is there was there some nostalgic? Was it she wanting her, you know, whatever? I mean, the pasta in the cupboards is definitely something I wanted to leave behind in the 90s.

So it's actually something that I saw in the 90s in my best friend's house. And I hadn't seen it since and I didn't think I was going to see it again. But I saw it there. And, you know, part of me is like, you know, is there was there some nostalgic? Was it she wanting her, you know, whatever? I mean, the pasta in the cupboards is definitely something I wanted to leave behind in the 90s.

But I think good for her. It kind of bringing it back.

But I think good for her. It kind of bringing it back.

But I think good for her. It kind of bringing it back.

You have no idea. This is actually a term I use a lot. Oh really? Okay. We grew up with Disney Channel, right? Like that's our generation. Lizzie McGuire's house. Yes. Yes. It's like, but when I was 10, that's what I wanted. I wanted Hannah Montana's room. I

You have no idea. This is actually a term I use a lot. Oh really? Okay. We grew up with Disney Channel, right? Like that's our generation. Lizzie McGuire's house. Yes. Yes. It's like, but when I was 10, that's what I wanted. I wanted Hannah Montana's room. I

You have no idea. This is actually a term I use a lot. Oh really? Okay. We grew up with Disney Channel, right? Like that's our generation. Lizzie McGuire's house. Yes. Yes. It's like, but when I was 10, that's what I wanted. I wanted Hannah Montana's room. I

exactly i mean i remember and it was always like funky and there was like a weird attic vibe and like splashy art like a graphic sign and yeah i mean if the giant pencil pen is not giving disney channel like backdrop i don't know what it might i say it's even a little more nickelodeon than disney channel yes Honestly, true. Is that like a, yeah.

exactly i mean i remember and it was always like funky and there was like a weird attic vibe and like splashy art like a graphic sign and yeah i mean if the giant pencil pen is not giving disney channel like backdrop i don't know what it might i say it's even a little more nickelodeon than disney channel yes Honestly, true. Is that like a, yeah.

exactly i mean i remember and it was always like funky and there was like a weird attic vibe and like splashy art like a graphic sign and yeah i mean if the giant pencil pen is not giving disney channel like backdrop i don't know what it might i say it's even a little more nickelodeon than disney channel yes Honestly, true. Is that like a, yeah.

I mean, she self-describes it as she wanted a storybook dollhouse, right? Like I think this was post-relationship for her. She was moving out with her son. So clearly she leaned into a lot of feminine energy. The designers that she worked with, Pearson Ward, are some of my very favorite designers out there. It's like a friend duo team and they curate some of the most spectacular spaces.

I mean, she self-describes it as she wanted a storybook dollhouse, right? Like I think this was post-relationship for her. She was moving out with her son. So clearly she leaned into a lot of feminine energy. The designers that she worked with, Pearson Ward, are some of my very favorite designers out there. It's like a friend duo team and they curate some of the most spectacular spaces.

I mean, she self-describes it as she wanted a storybook dollhouse, right? Like I think this was post-relationship for her. She was moving out with her son. So clearly she leaned into a lot of feminine energy. The designers that she worked with, Pearson Ward, are some of my very favorite designers out there. It's like a friend duo team and they curate some of the most spectacular spaces.

I mean, one of my favorite things about anything they work on is it doesn't have a timestamp. Yeah, it doesn't feel grand. It feels like this could have happened in the 50s. This could have happened. It really melds and it does all of that. But I think Emma Roberts is a really perfect example of breaking the rules and doing what she wants.

I mean, one of my favorite things about anything they work on is it doesn't have a timestamp. Yeah, it doesn't feel grand. It feels like this could have happened in the 50s. This could have happened. It really melds and it does all of that. But I think Emma Roberts is a really perfect example of breaking the rules and doing what she wants.

I mean, one of my favorite things about anything they work on is it doesn't have a timestamp. Yeah, it doesn't feel grand. It feels like this could have happened in the 50s. This could have happened. It really melds and it does all of that. But I think Emma Roberts is a really perfect example of breaking the rules and doing what she wants.

And I mean, even in her cute tour, there's so many times where she says, you know, a lot of people might get sick of fringe and tassels, but she's like, I love it. Like, I just want more of it. And it works. It's the energy that works for her because it's so, so, so true to her. She wanted certain things. I also love her collection. Everything in her home feels significant and special to her.