Olli Schulz

The film club, Bujo Omega. Exactly.

Ja, leider, aber wir können das verknüpfen mit der Welt des Podcasts, weil ich würde dich ganz kurz mal eben fragen, wer ist denn in der erfolgreichen Horror-Podcast-Reihe Fest und Flauschig der Slasher eigentlich? Von uns beiden. Ja, wer ist denn der Slasher? Wer ist denn von uns der Slasher? Andréas. Susanne und Andreas, die Slash am Hintergrund. Ich geh noch mal weiter durch.

Wer ist der Slasher bei Baywatch Berlin? Ist es Tommy, ist es Jakob, ist es Klaas? Jakob. Bei Sunset Club mit Sophie Passmann und Joko Winterscheidt. Sophie Passmann. Wer ist bei Lage der Nation der Slasher? Ist es Ulf? Ulf. Ulf ist der Slasher. Wer ist der Slasher bei Matze Hilscherl? immer der Gast. Wer ist der Slasher bei Tom und Bill in Kaulitz Hills? Wer ist der Slasher? Heidi.

Wer ist der Slasher bei Ronsheimer, dem Erfolgspodcast von Ronsheimer? Matthias Döpfner. Julian Reichelt.

Ich scroll hier gerade die Podcast-Charts durch, da sind Sachen bei, auf irgendwelchen hohen Plätzen, wo ich gar nicht, wusste ich gar nicht, dass es die überhaupt gibt. Eieieiei.

Yes, I know it in Bremen, for example, the Balge, which actually runs along the marketplace, which has also been moved under the city, because it was annoying to hop over it on the way to the market. Then the people just put it in such a gutter, in such a canal. Yes, of course, I know, yes, there are many underground rivers. There are also many underground mountains.

But that will happen in the future with rising sea levels and more and more frequent extreme weather and rainfalls from above. That will happen more often. Probably. Probably these are the things we can focus on in the next few years. Hey, dear parents out there, prepare your children for it.

It's not just getting really warm in the summer, it's not just getting really unpleasant in the spring and autumn with rainfalls, but it can also be that sometimes on the way to school a shark swims by. Therefore. Aren't those nice thoughts for the future? I wrote something down, because I would like to call the podcast optimistic out of nowhere.

And that is either, two suggestions, either go to the stars or get out of the projects. Because I've had so much to do with people again this week, who hang out in Berlin in some weird script conferences, where you think, that will never be published. Even if it is published, it will be shit. Do something with your hands, do something sensible, get out of the projects.

Pack up, all hands on deck, do something sensible. Get out of Berlin, take care of Europa, for example. Or get up to the stars, without shaming people directly. That would be another possibility. Or do you have a better suggestion for today's podcast? Out of the Projects is a very good title. It annoyed me a bit this week, because I have the feeling that it's a mixture of

Escapism, which applies to people, so do something completely different. I want to concentrate on the foreign lands as long as we can. And so I can understand. But it doesn't help. Especially this, oh god, oh god, we don't know what's coming our way. Yes, but you can do that. Times of movement are always times where you can maybe ideally... Can influence easier than usual in times of austerity.

And if that's already metaphorically speaking, rub tectonic plates on top of each other, now you could hit a foot in between and maybe make a few smart thoughts or good thoughts and bring them in. And that might also bring something now.

And then I always think, hey guys, and then they go into some kind of jobs where you don't know exactly what they are for jobs in some projects and come out of the projects, do something with your hands or I don't know, I don't know. I'm so fucked up from the week, dude, it was such an exhausting week. It was such an exhausting week.

And we often have that at work, that we work so hard in front of us and everyone does the shows and it all comes together and then, you know, it's really a group of people working on a project and then everyone thinks about something and someone throws a ingredient in the pot and then there are weeks where everything comes together and it adds to a picture as if it were...

And for example, let's take a look at our tour. The tour title of the tour of the Rundfunk Tanzorchester and me in January is called Eisern Ehrenfeld. And when I thought about it, One and a half years ago, everyone was like, hey, Eisern Ehrenfeld, because of Rammstein or something.

And I swear on everything that I thought back then, no, because I think when we're on tour, that's exactly the right title. And I think it's now, really, now it's like, yeah, of course, not Rammstein, but you're standing there, Eisern is exactly my feeling, the only thing you can do now is stay Eisern or something like that. to try to hold on and to understand that as a kind of parole.

And it was actually the feeling I had one and a half years ago when I was thinking that in one and a half years, at the beginning of 2025, how is the mood there? I think, first of all, I feel comfortable on stage when I say, stay iron. Well, everyone comes to the tour. Tell me again, when does your tour start again? You just have to get out.

It starts in mid-January in Frankfurt, but it's already sold out. Eisen Ehrenfeld here, that's where it starts. It starts on the 13th of January in Frankfurt in the Jahrhunderthalle and then directly the most exciting thing on the 14th of January, moved up from the Palladium to the Lanxess Arena. Good luck there. From there, there are still tickets.

Frankfurt is already sold out and then we're in Erfurt and Hannover, Swiss Life Hall. It's going to be great. There will be special guests. That's getting more and more. We're sitting on it next week and doing the set list. The show is planned. I worked with the choreographer who's already pink.

And there I say, pay attention, that's my problem. First of all, physically it's okay, I'm fitter again. When we recorded Bömi brutzelt, I really noticed- Dude, it's hard for me to get up the stairs and stuff. I had such a fat summer. In the meantime, I've gone down a bit again to my usual 71 kilos. And now I realize, I have to train my voice.