Omarion

He got all the hits.

I'm like, oh, okay, cool.

You know what I'm saying?

So that was the first time we met.

And then that other time, you know, when I went to link up with him at the Beverly Wilshire, 40 was downstairs.

And 40 was like, yo, oh, we about to drop this, you know, mixtape so far gone, man, you should come get on it.

Lloyd on it, this person on it.

I'm like, cool, I'll come upstairs.

So he already had the breeze and a little beat, you know what I'm saying?

And I was like, okay.

So I put down like a couple of, like two or three melodies I wrote.

Then we went downstairs, played around a little bit, went back up.

Then he was like, these are the melodies that I think, you know, is the best.

And I was like, oh, damn.

And that's when I knew the value of 40 right there.

You know what I'm saying?

I was like, oh, because sometimes, you know, when you're creating this shit, you're like, I don't, you know what I mean?

I'm the type of person, because this is how I learned to, you know, as far as, like, recording vocals, because there's an era, you know, like,

Back in the Motown days, they would sit and learn those songs and create those songs so they could sing them in a way that felt familiar.

You know what I mean?