Oscar Isaac

Thanks, Tanya.

Very happy to be here.

I said when we were shooting that, I said, I hope that on my In Memoriam clip, it'll just be me screaming, we had dinner with Bono.

Well, it was it's interesting because it was that's almost accurate.

There's elements that are.

But the time frame was actually I was in the midst of shooting already.

And I was having, I was kind of losing my voice a bit.

I just felt like my throat was always so tight.

And I was having a hard time.

And there's this wonderful acting teacher, guru, Kim Gillingham.

And I met with her and I said, I'm having a really hard time.

And I don't know.

And on the way over, I was actually, you know, thinking about Victor and how much fun that was.

And then she had the great idea of like, well, let's, you know, bring Victor back and let him talk to Josh.

And so we did this exercise where, you know, it's a form of hypnosis.

And then she's like, now let Victor come and speak.

And he came back, and he was just so angry to be stuck in this little tiny man.

And so that feeling of being strangled was coming a bit from that.

And it wasn't about letting go of that, because that's an important part of the character, but...

But yeah, it was a really interesting exercise to kind of bridge that gap because sometimes, yeah, you're playing with energy and the nervous system is, you know, it was eight months or something of working on Frankenstein and then a tiny break and then I was right into doing Beef.