Oz Perlman

Totally, and I can't, it's hard to practice what I do. So a magician, think about it, can practice, like I use the example of a card trick. You can practice a card trick at home in front of the mirror for days, weeks, years, and perfect the moves that are required, right? Same thing with a juggler, let's call it. But- A comedian has to tell their joke. He or she tells their joke.

Totally, and I can't, it's hard to practice what I do. So a magician, think about it, can practice, like I use the example of a card trick. You can practice a card trick at home in front of the mirror for days, weeks, years, and perfect the moves that are required, right? Same thing with a juggler, let's call it. But- A comedian has to tell their joke. He or she tells their joke.

Totally, and I can't, it's hard to practice what I do. So a magician, think about it, can practice, like I use the example of a card trick. You can practice a card trick at home in front of the mirror for days, weeks, years, and perfect the moves that are required, right? Same thing with a juggler, let's call it. But- A comedian has to tell their joke. He or she tells their joke.

Totally, and I can't, it's hard to practice what I do. So a magician, think about it, can practice, like I use the example of a card trick. You can practice a card trick at home in front of the mirror for days, weeks, years, and perfect the moves that are required, right? Same thing with a juggler, let's call it. But- A comedian has to tell their joke. He or she tells their joke.

Totally, and I can't, it's hard to practice what I do. So a magician, think about it, can practice, like I use the example of a card trick. You can practice a card trick at home in front of the mirror for days, weeks, years, and perfect the moves that are required, right? Same thing with a juggler, let's call it. But- A comedian has to tell their joke. He or she tells their joke.

Totally, and I can't, it's hard to practice what I do. So a magician, think about it, can practice, like I use the example of a card trick. You can practice a card trick at home in front of the mirror for days, weeks, years, and perfect the moves that are required, right? Same thing with a juggler, let's call it. But- A comedian has to tell their joke. He or she tells their joke.

Totally, and I can't, it's hard to practice what I do. So a magician, think about it, can practice, like I use the example of a card trick. You can practice a card trick at home in front of the mirror for days, weeks, years, and perfect the moves that are required, right? Same thing with a juggler, let's call it. But- A comedian has to tell their joke. He or she tells their joke.

Totally, and I can't, it's hard to practice what I do. So a magician, think about it, can practice, like I use the example of a card trick. You can practice a card trick at home in front of the mirror for days, weeks, years, and perfect the moves that are required, right? Same thing with a juggler, let's call it. But- A comedian has to tell their joke. He or she tells their joke.

And the only way you know if it's funny is if an audience reacts, right? The audience is your canvas. So the exact same thing applies. And that's the reason right there why there's so much fewer mentalists than magicians, because the learning curve is so steep. You can't get better without first bombing. So you need to be bad and start doing it and getting better and better with audiences and

And the only way you know if it's funny is if an audience reacts, right? The audience is your canvas. So the exact same thing applies. And that's the reason right there why there's so much fewer mentalists than magicians, because the learning curve is so steep. You can't get better without first bombing. So you need to be bad and start doing it and getting better and better with audiences and

And the only way you know if it's funny is if an audience reacts, right? The audience is your canvas. So the exact same thing applies. And that's the reason right there why there's so much fewer mentalists than magicians, because the learning curve is so steep. You can't get better without first bombing. So you need to be bad and start doing it and getting better and better with audiences and

And the only way you know if it's funny is if an audience reacts, right? The audience is your canvas. So the exact same thing applies. And that's the reason right there why there's so much fewer mentalists than magicians, because the learning curve is so steep. You can't get better without first bombing. So you need to be bad and start doing it and getting better and better with audiences and

And the only way you know if it's funny is if an audience reacts, right? The audience is your canvas. So the exact same thing applies. And that's the reason right there why there's so much fewer mentalists than magicians, because the learning curve is so steep. You can't get better without first bombing. So you need to be bad and start doing it and getting better and better with audiences and

And the only way you know if it's funny is if an audience reacts, right? The audience is your canvas. So the exact same thing applies. And that's the reason right there why there's so much fewer mentalists than magicians, because the learning curve is so steep. You can't get better without first bombing. So you need to be bad and start doing it and getting better and better with audiences and

And the only way you know if it's funny is if an audience reacts, right? The audience is your canvas. So the exact same thing applies. And that's the reason right there why there's so much fewer mentalists than magicians, because the learning curve is so steep. You can't get better without first bombing. So you need to be bad and start doing it and getting better and better with audiences and

And the only way you know if it's funny is if an audience reacts, right? The audience is your canvas. So the exact same thing applies. And that's the reason right there why there's so much fewer mentalists than magicians, because the learning curve is so steep. You can't get better without first bombing. So you need to be bad and start doing it and getting better and better with audiences and

And the only way you know if it's funny is if an audience reacts, right? The audience is your canvas. So the exact same thing applies. And that's the reason right there why there's so much fewer mentalists than magicians, because the learning curve is so steep. You can't get better without first bombing. So you need to be bad and start doing it and getting better and better with audiences and

And the only way you know if it's funny is if an audience reacts, right? The audience is your canvas. So the exact same thing applies. And that's the reason right there why there's so much fewer mentalists than magicians, because the learning curve is so steep. You can't get better without first bombing. So you need to be bad and start doing it and getting better and better with audiences and

And a lot of people don't have that stomach. They can't deal with that level of rejection over and over and not be good for years at times.

And a lot of people don't have that stomach. They can't deal with that level of rejection over and over and not be good for years at times.