Paul Gorton

And I think it's the second time.

So the second time I did improv comedy, I felt pressure because I was like, these guys have seen me be the first have my first go.

But now it's like, okay, we've booked you to kind of be part of this little group.

And that was at the fringe as well.

So that kind of felt like it was a big deal.

Yeah, because you've seen how you're stood at the back of the room and then someone will throw a suggestion out and then you're sat there and you're like... Honestly.

Shall I jump in?

And then you jump in and you kind of do something or they'll jump in and they'll look at you and they'll go,

so um wilf's agent from season one that kind of helped guide him around that's my agent now so same same guy that that's kind of took me through um and then i'm finding a lot of like

It's all about whether the studios want to work with you.

It doesn't kind of matter about the person in the middle.

That's my interpretation anyway.

Well, let's say for all you say, like Rob, he's got one of his shows coming out.

He doesn't care whether I'm with this agency, that agency, that agency.

Well, we want Paul Gorton.

So go and speak to whoever looks after Paul Gorton.

I think where a bigger agency would come in is if they were doing outreach.

So they would go to like Taskmaster would obviously be an amazing show to get involved in.

But I don't know whether it would work in a sense of do they need to be approached to say, we've got Paul, he does this and this and blah, blah, blah.

Or would it be the same?