Paul Rosolie

And so as they're screaming, Mosh, go, and everybody's running and women are lifting children, Ignacio comes and finds me.

And you can see in his eyes, you can see when somebody has that PTSD response where he's breathing heavy.

He's moving behind trees.

He's keeping me close to him and he's going, look there, he has a boat, he has a boat.

And we're looking up the beach.

And there's just this clan of naked men walking down the beach with these seven-foot bows, and they're hunched over, and they're pointing at us.

They're going, look at that one.

They're going, look, there's a gun there.

And you can see them communicating to each other, and the butterflies are swirling off the beach.

And in these moments, you go, am I...

Am I entering a moment that I, is this a one-way door?

Is this not something that, is this an irreversible situation?

Because there's an unfolding situation where they're coming at towards us.

Are they going to attack?

What do they want?

Is there going to be, I mean, I'm soaked in chills right now just talking about it because I remember standing there and going,

There's no way this is real life.

It's burned into my memory, them walking down the beach and seeing them with the bows.

And of course, you know, Stefan is up there just firing off pictures and Mohsen is down getting video.

And the community that we're with, people had, you know, you hear shotgun shells loading home and them loading it.