Paul Rosolie

There's no risky stuff anymore.

It's all very, very curated.

I've almost stopped watching movies.

And I used to love movies, but it's like, it's fun when they take risks, when they're messy, when they're real.

And like all the actors we like are in TV shows on various streaming platforms.

It's like, they've all just gone home.

Like they're not there.

Like I was like, I literally was like, man, I was like, I miss movies.

What happened to movie?

I'm rewatching all the old movies that I like.

And I was, um, and I was like, where, where is everybody?

What are they doing?

It's like, they all have a TV series on blue, blue or something, you know?

And it's like, fuck.

Yeah, I think I'll call him the raw, the dangerous, the edgy.

What we just described is almost perfect for, there's a scene in Dead Poets Society where Robin Williams makes them open their books, and the first page of the poetry book is like, how do you identify a good poem?

He's like, a good poem can be, and he makes a graph, and he's like, by the subject of the poem, and then the accuracy with which it's described, and you can tell whether or not it's a good poem.

And he reads this, and the whole class is sitting there bored, and he's like, now rip that page out of your book.

And they rip the page out of the book.

And then he's like, now stand up.