Paul Rudd

And I don't – and it's – the mystery of it is a little frustrating and bewildering. So I do feel like I don't have a handle on it all the time. But I do feel also more relaxed about aspects of it. I know how some of this stuff kind of just – the technical sides of things, how they work. I understand editing. I understand, um, how like I can, like I can do a scene.

And I don't – and it's – the mystery of it is a little frustrating and bewildering. So I do feel like I don't have a handle on it all the time. But I do feel also more relaxed about aspects of it. I know how some of this stuff kind of just – the technical sides of things, how they work. I understand editing. I understand, um, how like I can, like I can do a scene.

And I don't – and it's – the mystery of it is a little frustrating and bewildering. So I do feel like I don't have a handle on it all the time. But I do feel also more relaxed about aspects of it. I know how some of this stuff kind of just – the technical sides of things, how they work. I understand editing. I understand, um, how like I can, like I can do a scene.

It's like, I'm picturing it as how the editor will see it or a director and where you would do a cut point. And these kinds of certain things you just learn over time. Um, but I, but I don't ever feel a hundred percent, um, comfortable. I don't, I don't think, um,

It's like, I'm picturing it as how the editor will see it or a director and where you would do a cut point. And these kinds of certain things you just learn over time. Um, but I, but I don't ever feel a hundred percent, um, comfortable. I don't, I don't think, um,

It's like, I'm picturing it as how the editor will see it or a director and where you would do a cut point. And these kinds of certain things you just learn over time. Um, but I, but I don't ever feel a hundred percent, um, comfortable. I don't, I don't think, um,

Oh, yeah. Yeah. Certainly. And you have that thing on the drive home. You're like, oh, why didn't I, you know, say that?

Oh, yeah. Yeah. Certainly. And you have that thing on the drive home. You're like, oh, why didn't I, you know, say that?

Oh, yeah. Yeah. Certainly. And you have that thing on the drive home. You're like, oh, why didn't I, you know, say that?

By the end, we're in a flop house. You're sitting next to the crackhead. Yeah.

By the end, we're in a flop house. You're sitting next to the crackhead. Yeah.

By the end, we're in a flop house. You're sitting next to the crackhead. Yeah.

Here's why I say that, though. I think you're wrong. What are you going to say?

Here's why I say that, though. I think you're wrong. What are you going to say?

Here's why I say that, though. I think you're wrong. What are you going to say?

I think you're hilarious in that scene. Thank you.

I think you're hilarious in that scene. Thank you.

I think you're hilarious in that scene. Thank you.

I sometimes think, you know, people say less is more. Sometimes more is more. And it doesn't, you go big if it's like coming from a real place. I think that was, you were hilarious in that scene.

I sometimes think, you know, people say less is more. Sometimes more is more. And it doesn't, you go big if it's like coming from a real place. I think that was, you were hilarious in that scene.