Peter Berg

They just closed. They didn't cover them up. I couldn't see anything.

They just closed. They didn't cover them up. I couldn't see anything.

Were your eyes open?

Were your eyes open?

Were your eyes open?

That must have been terrifying.

That must have been terrifying.

That must have been terrifying.

Yeah.

Yeah.

Yeah.

Right, and that's where I say it's changed me in all aspects. I don't get upset about things that I used to get upset about. I'm not quick to conflict. I've found my work has just gotten better. I'm a deeper movie maker. When I was editing Painkiller, the opioid film, I had two editors and one I had never worked with. And they were editing while I was still in Canada filming.

Right, and that's where I say it's changed me in all aspects. I don't get upset about things that I used to get upset about. I'm not quick to conflict. I've found my work has just gotten better. I'm a deeper movie maker. When I was editing Painkiller, the opioid film, I had two editors and one I had never worked with. And they were editing while I was still in Canada filming.

Right, and that's where I say it's changed me in all aspects. I don't get upset about things that I used to get upset about. I'm not quick to conflict. I've found my work has just gotten better. I'm a deeper movie maker. When I was editing Painkiller, the opioid film, I had two editors and one I had never worked with. And they were editing while I was still in Canada filming.

And I came back and then I had to come and work with them, you know, every day. And I was just getting to know them. And one of them had an energy. I had just done The Toad. And they were both really good guys, but I could tell one of them had an energy of heaviness, darkness.

And I came back and then I had to come and work with them, you know, every day. And I was just getting to know them. And one of them had an energy. I had just done The Toad. And they were both really good guys, but I could tell one of them had an energy of heaviness, darkness.

And I came back and then I had to come and work with them, you know, every day. And I was just getting to know them. And one of them had an energy. I had just done The Toad. And they were both really good guys, but I could tell one of them had an energy of heaviness, darkness.

And I found out that he and his wife had taken their son, I think three-year-old son, into the doctor, the ear doctor, for a procedure. This was like three months prior to us starting to work. And they put the son under some sort of local anesthesia.

And I found out that he and his wife had taken their son, I think three-year-old son, into the doctor, the ear doctor, for a procedure. This was like three months prior to us starting to work. And they put the son under some sort of local anesthesia.

And I found out that he and his wife had taken their son, I think three-year-old son, into the doctor, the ear doctor, for a procedure. This was like three months prior to us starting to work. And they put the son under some sort of local anesthesia.