Peter Berg

So we have a lot of flexibility there.

with how we can work and capture and my feeling is rather than plan it all out go out there knowing kind of what you want to accomplish but allow kind of creativity allow that kind of divine magic to enter the process which um can kind of be freaky for like my bosses at Netflix because they're spending a whole lot of money and they're like what are we doing today and I'm like I don't really know what we're doing today but we're going to do something um

with how we can work and capture and my feeling is rather than plan it all out go out there knowing kind of what you want to accomplish but allow kind of creativity allow that kind of divine magic to enter the process which um can kind of be freaky for like my bosses at Netflix because they're spending a whole lot of money and they're like what are we doing today and I'm like I don't really know what we're doing today but we're going to do something um

with how we can work and capture and my feeling is rather than plan it all out go out there knowing kind of what you want to accomplish but allow kind of creativity allow that kind of divine magic to enter the process which um can kind of be freaky for like my bosses at Netflix because they're spending a whole lot of money and they're like what are we doing today and I'm like I don't really know what we're doing today but we're going to do something um

But I've done it.

But I've done it.

But I've done it.

They actually are fantastic about it. And, you know, I have to give, you know, my boss. There's a woman named Bella Bajara at Netflix who and people talk a lot of shit about Netflix. I'm not one of them. I mean, they're giving so many people so much work. And once you convince them that you have a vision, they let you do it. And she was great. And she let me do it.

They actually are fantastic about it. And, you know, I have to give, you know, my boss. There's a woman named Bella Bajara at Netflix who and people talk a lot of shit about Netflix. I'm not one of them. I mean, they're giving so many people so much work. And once you convince them that you have a vision, they let you do it. And she was great. And she let me do it.

They actually are fantastic about it. And, you know, I have to give, you know, my boss. There's a woman named Bella Bajara at Netflix who and people talk a lot of shit about Netflix. I'm not one of them. I mean, they're giving so many people so much work. And once you convince them that you have a vision, they let you do it. And she was great. And she let me do it.

And it was interesting because there was a scene in the second episode of American Primeval where a Native American cuts the throats of five women. Spoiler alert. Sorry. Spoiler alert. I guess. Sorry. There's a lot of other bad things that happen. But there is this scene, right? Yeah. And, you know, Netflix is a very busy company. They're making a lot of stuff.

And it was interesting because there was a scene in the second episode of American Primeval where a Native American cuts the throats of five women. Spoiler alert. Sorry. Spoiler alert. I guess. Sorry. There's a lot of other bad things that happen. But there is this scene, right? Yeah. And, you know, Netflix is a very busy company. They're making a lot of stuff.

And it was interesting because there was a scene in the second episode of American Primeval where a Native American cuts the throats of five women. Spoiler alert. Sorry. Spoiler alert. I guess. Sorry. There's a lot of other bad things that happen. But there is this scene, right? Yeah. And, you know, Netflix is a very busy company. They're making a lot of stuff.

And we were deep in the edit process. And I got a call from Bella, the boss, my boss. And she's like, I want to see this show. And I'm like, well, it's your show, so please come in. And, you know, it's hard for her to keep track of all the shows and all the scripts. And I was impressed that she wanted to come in. And so she came in to the edit room and she's like, I'm going to watch one episode.

And we were deep in the edit process. And I got a call from Bella, the boss, my boss. And she's like, I want to see this show. And I'm like, well, it's your show, so please come in. And, you know, it's hard for her to keep track of all the shows and all the scripts. And I was impressed that she wanted to come in. And so she came in to the edit room and she's like, I'm going to watch one episode.

And we were deep in the edit process. And I got a call from Bella, the boss, my boss. And she's like, I want to see this show. And I'm like, well, it's your show, so please come in. And, you know, it's hard for her to keep track of all the shows and all the scripts. And I was impressed that she wanted to come in. And so she came in to the edit room and she's like, I'm going to watch one episode.

It's kind of a big deal. She's, you know, very influential person in our world. And so it's me and Hugo, the editor, and Bella comes in and we're showing her the first episode and we're just sitting in this kind of dark screening room. And I have no idea what she's going to say or do. And it's pretty violent. And it ends and she goes, I want to see another one.

It's kind of a big deal. She's, you know, very influential person in our world. And so it's me and Hugo, the editor, and Bella comes in and we're showing her the first episode and we're just sitting in this kind of dark screening room. And I have no idea what she's going to say or do. And it's pretty violent. And it ends and she goes, I want to see another one.

It's kind of a big deal. She's, you know, very influential person in our world. And so it's me and Hugo, the editor, and Bella comes in and we're showing her the first episode and we're just sitting in this kind of dark screening room. And I have no idea what she's going to say or do. And it's pretty violent. And it ends and she goes, I want to see another one.

And I'm like, okay, we'll start playing the second episode. And we're getting right to the moment where, spoiler alert, these women are about to have their throats cut. And I'm starting to have a full fucking panic attack because I'm pretty sure that she doesn't know what's coming up, right? And Hugo, the editor, is kind of looking at me like, should I stop it? And I really didn't know what to do.