Phineas O'Connell

Yeah, like the production and the. I would say that I do plenty of it, but Billy is deeply involved. And I would say that as time has gone on, Billie has become kind of more knowledgeable and articulate about what she likes and what she doesn't in, uh, instrumental arrangement and production and vocal arrangement.

Yeah, like the production and the. I would say that I do plenty of it, but Billy is deeply involved. And I would say that as time has gone on, Billie has become kind of more knowledgeable and articulate about what she likes and what she doesn't in, uh, instrumental arrangement and production and vocal arrangement.

Yeah, like the production and the. I would say that I do plenty of it, but Billy is deeply involved. And I would say that as time has gone on, Billie has become kind of more knowledgeable and articulate about what she likes and what she doesn't in, uh, instrumental arrangement and production and vocal arrangement.

So, um, we're either brainstorming stuff together or at the very least she's reacting to, you know, what I do in a kind of a, I like that go further. I don't, I'm not crazy about that. You know, take that out kind of a sense, if that makes sense.

So, um, we're either brainstorming stuff together or at the very least she's reacting to, you know, what I do in a kind of a, I like that go further. I don't, I'm not crazy about that. You know, take that out kind of a sense, if that makes sense.

So, um, we're either brainstorming stuff together or at the very least she's reacting to, you know, what I do in a kind of a, I like that go further. I don't, I'm not crazy about that. You know, take that out kind of a sense, if that makes sense.

The diner is a slight anomaly in terms of the way that Billy and I most commonly work. I would say the way that we most commonly work is I sit down with a guitar or I sit down at a piano and I play chords and Billy sings melodies and we come up with lyrics and melodies together over top of chords.

The diner is a slight anomaly in terms of the way that Billy and I most commonly work. I would say the way that we most commonly work is I sit down with a guitar or I sit down at a piano and I play chords and Billy sings melodies and we come up with lyrics and melodies together over top of chords.

The diner is a slight anomaly in terms of the way that Billy and I most commonly work. I would say the way that we most commonly work is I sit down with a guitar or I sit down at a piano and I play chords and Billy sings melodies and we come up with lyrics and melodies together over top of chords.

In the case of the diner, on my own, I had made what became sort of most of the instrumental of the diner. I'd been sitting around one day playing that sort of

In the case of the diner, on my own, I had made what became sort of most of the instrumental of the diner. I'd been sitting around one day playing that sort of

In the case of the diner, on my own, I had made what became sort of most of the instrumental of the diner. I'd been sitting around one day playing that sort of

um sampled re-articulated horn thing um you take kind of a one track of a of a horn being played and then you load it onto a keyboard and the horn is then chromatic on the keyboard and you play the that's me playing piano but through a horn sample um and then i programmed drum samples, and then bass samples. Or I guess not bass samples, but bass synthesizers over top of that.

um sampled re-articulated horn thing um you take kind of a one track of a of a horn being played and then you load it onto a keyboard and the horn is then chromatic on the keyboard and you play the that's me playing piano but through a horn sample um and then i programmed drum samples, and then bass samples. Or I guess not bass samples, but bass synthesizers over top of that.

um sampled re-articulated horn thing um you take kind of a one track of a of a horn being played and then you load it onto a keyboard and the horn is then chromatic on the keyboard and you play the that's me playing piano but through a horn sample um and then i programmed drum samples, and then bass samples. Or I guess not bass samples, but bass synthesizers over top of that.

And I presented it to Billie. And then she riffed, you know, these super menacing, cool lyrics over top of it.

And I presented it to Billie. And then she riffed, you know, these super menacing, cool lyrics over top of it.

And I presented it to Billie. And then she riffed, you know, these super menacing, cool lyrics over top of it.

Well, I think if I go back to the kind of genesis of this, first of all, we lived together. We both lived at home with our parents when we started making music. I was 18 and Billy was 13. And over the ensuing years, even after I moved out into my own place as a 21-year-old, we still made most of the music in the bedroom in my childhood home. And as time went on and Billy's tour became...

Well, I think if I go back to the kind of genesis of this, first of all, we lived together. We both lived at home with our parents when we started making music. I was 18 and Billy was 13. And over the ensuing years, even after I moved out into my own place as a 21-year-old, we still made most of the music in the bedroom in my childhood home. And as time went on and Billy's tour became...