Pierre Coffin

No, never.

You're the first one to bring it up.

No, no, really not.

I won't be the last.

Man, that's a hard one.

I mean, the thing I think that people should know is that the script is in constant evolution because, again, when you make these sort of films, you're sort of asking the audience to pay a little attention to what's happening.

Otherwise, you don't understand.

It's not something where you could start cooking or doing something else and then you're listening to the movie.

That doesn't work because...

the voice and the understanding of the action goes through multiple aspect of the filmmaking thing, like the camera angles, what the characters are actually doing with their bodies.

Sometimes I write a scene where, well, it's not working.

I can't convey what the script is needed to convey, so I need to change everything, like the context, the characters that are talking,

prop them, give, that's how, at a certain point, there's an antagonist called, a minion antagonist called Dick, properly named Dick.

Yes.

And he's, we needed to have, we realized at the middle of the movie that we needed to recognize him.

So that's when we started giving him a stick.

or pipe, because he loses his stick at some point.

And so this was a figure of authority.

And so we had to retroactively put a stick back in his hand at the beginning of the movie, and just has to recognize him.

So it's a constant, it's the chance that we get making an animated movie, is that we have three years to do it, and we have...