Quinta Brunson

It's so ridiculous. It's great. A little show called Parks and Rec. The Office, of course. Martin. Living Single. Curb Your Enthusiasm. I don't know if that counts because it's not network, but Always Sunny. Same kind of bucket as Curb Your Enthusiasm. I'm forgetting things.

It's so ridiculous. It's great. A little show called Parks and Rec. The Office, of course. Martin. Living Single. Curb Your Enthusiasm. I don't know if that counts because it's not network, but Always Sunny. Same kind of bucket as Curb Your Enthusiasm. I'm forgetting things.

And that's exactly what happens on Abbott. Definitely. That's a big part of it. And I think it's important if I can see the end of their journeys in the sitcom. And I don't know. That doesn't mean I know when it's going to come, but I see, maybe that's just important for writing. You know, you see a destination for your characters, but very important to me when it comes to making a sitcom.

And that's exactly what happens on Abbott. Definitely. That's a big part of it. And I think it's important if I can see the end of their journeys in the sitcom. And I don't know. That doesn't mean I know when it's going to come, but I see, maybe that's just important for writing. You know, you see a destination for your characters, but very important to me when it comes to making a sitcom.

And that's exactly what happens on Abbott. Definitely. That's a big part of it. And I think it's important if I can see the end of their journeys in the sitcom. And I don't know. That doesn't mean I know when it's going to come, but I see, maybe that's just important for writing. You know, you see a destination for your characters, but very important to me when it comes to making a sitcom.

When I visit sitcoms like Parks or The Office and I think about where those characters began and where they end, that is what kind of inspired me to tell that story about a different set of characters. I also think like, Worlds you can – that really have a day-by-day engine, you know? Like, there's something – there's some silly thing.

When I visit sitcoms like Parks or The Office and I think about where those characters began and where they end, that is what kind of inspired me to tell that story about a different set of characters. I also think like, Worlds you can – that really have a day-by-day engine, you know? Like, there's something – there's some silly thing.

When I visit sitcoms like Parks or The Office and I think about where those characters began and where they end, that is what kind of inspired me to tell that story about a different set of characters. I also think like, Worlds you can – that really have a day-by-day engine, you know? Like, there's something – there's some silly thing.

I would say Friends was huge for me, too, because it was when I started to really grasp onto plot lines that were so, you know, Monica lost her earring. I think that was, like, big for me for some reason when – it was like, you can make a whole plot, but that's, like, a day-to-day of a friend group in –

I would say Friends was huge for me, too, because it was when I started to really grasp onto plot lines that were so, you know, Monica lost her earring. I think that was, like, big for me for some reason when – it was like, you can make a whole plot, but that's, like, a day-to-day of a friend group in –

I would say Friends was huge for me, too, because it was when I started to really grasp onto plot lines that were so, you know, Monica lost her earring. I think that was, like, big for me for some reason when – it was like, you can make a whole plot, but that's, like, a day-to-day of a friend group in –

That's what happens in Abbott, just day-to-day issues that we turn into hilarious conundrums and situations.

That's what happens in Abbott, just day-to-day issues that we turn into hilarious conundrums and situations.

That's what happens in Abbott, just day-to-day issues that we turn into hilarious conundrums and situations.

Yeah. And that's beautiful, though. That's so human.

Yeah. And that's beautiful, though. That's so human.

Yeah. And that's beautiful, though. That's so human.

Janine started in a place where I think a lot more about Janine than I think shows up on screen, which honestly is what you want. I don't need the audience to think about her as much as I do. But I knew from the beginning this is a girl who had a weird relationship with her mother. Maybe her mother didn't teach her how to like take care of her hair.

Janine started in a place where I think a lot more about Janine than I think shows up on screen, which honestly is what you want. I don't need the audience to think about her as much as I do. But I knew from the beginning this is a girl who had a weird relationship with her mother. Maybe her mother didn't teach her how to like take care of her hair.

Janine started in a place where I think a lot more about Janine than I think shows up on screen, which honestly is what you want. I don't need the audience to think about her as much as I do. But I knew from the beginning this is a girl who had a weird relationship with her mother. Maybe her mother didn't teach her how to like take care of her hair.