Rachel Sennott

Yes, yes, yes.

Like where I was like, I want all of the sex to feel like it's in the show for a reason, basically.

Yeah.

Yes, it's almost like, do the three things that I need really quick.

One, two, three.

Like, I'm almost there.

You did one and two.

Finish her off.

It accomplished a purpose.

But it was really funny to me on this specific show because, like, we, of course, had an intimacy coordinator, but she would, like... I would have a conversation with her as, like, the showrunner and be like, you know, like, we want to hear what the actors are comfortable with.

Ideally, this scene accomplishes, like, this sort of feeling or, like, we'd like to shoot it this way, whatever.

And then she would call up the actors.

But so I would have the conversation with her as the showrunner and she would be like...

Totally.

And then she calls me like 30 minutes later and she's like, so this is what they're thinking.

I'm like, I just talked to you, love.

She's like, you tell me what you feel comfortable with.

In the script, you're giving a blow job.

Do we even want to go there?

I'm like, I wrote that.