Randy Thom

My name is Randy Tom.

My name is Randy Tom.

My name is Randy Tom.

And I'm the supervising sound designer on The Wild Robot.

And I'm the supervising sound designer on The Wild Robot.

And I'm the supervising sound designer on The Wild Robot.

Wenn ich sagen würde, lass mich diesen Mikrofon anpassen, und dann entscheiden wir, es flatten zu wollen, wäre es, lass mich diesen Mikrofon anpassen.

Wenn ich sagen würde, lass mich diesen Mikrofon anpassen, und dann entscheiden wir, es flatten zu wollen, wäre es, lass mich diesen Mikrofon anpassen.

Wenn ich sagen würde, lass mich diesen Mikrofon anpassen, und dann entscheiden wir, es flatten zu wollen, wäre es, lass mich diesen Mikrofon anpassen.

Es ist also alles auf einer Note.

Es ist also alles auf einer Note.

Es ist also alles auf einer Note.

Ein guter Beispiel wäre C-3PO. His voice, when C-3PO was speaking English, was processed quite noticeably in terms of restricting its bandwidth, so it sounds a little bit like you're hearing it over a telephone. It doesn't have many low frequencies in it or extremely high frequencies.

Ein guter Beispiel wäre C-3PO. His voice, when C-3PO was speaking English, was processed quite noticeably in terms of restricting its bandwidth, so it sounds a little bit like you're hearing it over a telephone. It doesn't have many low frequencies in it or extremely high frequencies.

Ein guter Beispiel wäre C-3PO. His voice, when C-3PO was speaking English, was processed quite noticeably in terms of restricting its bandwidth, so it sounds a little bit like you're hearing it over a telephone. It doesn't have many low frequencies in it or extremely high frequencies.

There's this thing called audio phasing, where a signal, a sound gets combined with itself, but slightly out of sync with itself. And it makes this kind of swishing sound. And so a little bit of that is typically added to a voice to make it sound a little more like a robot. I've just about had enough of you.

There's this thing called audio phasing, where a signal, a sound gets combined with itself, but slightly out of sync with itself. And it makes this kind of swishing sound. And so a little bit of that is typically added to a voice to make it sound a little more like a robot. I've just about had enough of you.

There's this thing called audio phasing, where a signal, a sound gets combined with itself, but slightly out of sync with itself. And it makes this kind of swishing sound. And so a little bit of that is typically added to a voice to make it sound a little more like a robot. I've just about had enough of you.

Are you looking for that kind of title?

Are you looking for that kind of title?