Remo

And you marching on that nigga homie's crazy.

Some of them niggas you would be cool with if y'all wasn't on the opposite side.

He film a lot for a lot of people.

How do you trust the cameramen and shit?

Like, you're like, I can fold this nigga.

I know he ain't going to be on the back.

Nigga ain't never forced no cameraman to drop no lows.

Like, hey, nigga, I know you be shooting.

Why would I do that?

Not you.

I'm just talking about, like, in Chicago history, like, that's not a thing.

Because I, as a cameraman, I feel like it'd be too mixy to be, like, filming with you and then go film with Bloodhounds and then go film with these niggas.

I don't know.

Every time, yeah.

So you'll let AML shoot one of your videos?

I don't got no grudge against you.

I'm just saying like even having to trust the cameraman for the first time is still like a little.

I wouldn't give him a lot of love.

That's what I'm saying.

So as a cameraman, when you know when you're working with an artist, you're down there picking the side.