Rex Ryan

And I, when you're a child and you meet the person, none of it occurs to you.

And then after seeing all of this crazy stuff in the news and everything they'd been through and how real all that was and immediate and, uh, and disarming and jarring when I did.

And also the image of seeing the man in the cell that I had seen happily walking around Clontarf when I was a kid.

Again, it was a smash of reality.

It was a real smash of reality.

Of all the things that people talk about in the pub, that we watch about, the series we watch, all these things.

And that was just a real moment of, ah, people do die, people do go to prison.

There are consequences, even for people that...

You knew.

Yes.

Question for you.

Yeah.

Was the general consensus from you guys that

Was it total 50-50?

Yes.

Yes, I think this might be boring, I won't get into it too much, but generally when you're writing a play, you're looking to plant a ticking time bomb for the character or characters, something that starts at the very beginning of the play and they're going, there's some urgent need.

Are they going to go left?

Are they going to go right?

What's the action?

And then you're into the meat of the play.