Rhea Seehorn

So we ran to catch him so his head wouldn't hit the concrete floor.

And then we realized, oh, this looks like either a seizure, a stroke, or a cardiac arrest, all of which we need medical attention.

And so we started screaming for help.

And it took a beat, a horrifying beat.

Terrifying beat.

And eventually a set medic was there, a different set medic that had just started.

Then Rosa Estrada came over and it turned out that they couldn't get his heart to start and they needed a defibrillator.

And Rosa ran to her car and got it and they brought it back and they were able to revive him.

And then the ambulance came.

But yeah, Patrick and I were...

We wouldn't let go of him either.

They just kept having to tell us like, yeah, you can't be holding on to him while he's being electrocuted.

But that was that was it was very hard to let go of your friend for a second in that moment.

When we went back to shoot, we had to finish that shoot months later, and Bob has no memory of the entire day.

not just the event, but the entire day.

And they showed him footage so that he would know where he was sitting.

And I go, I said, I mean, we shot this for 10 hours.

We also rehearsed it for a week and a half, drilling it.

And it's this very emotional, tense scene.

I said, remember, now do you remember that day?