Rich Younglord

And they came in the studio, and I couldn't give them direction. They would not take direction from me. You know, I would say, hey, I want it done this way. And they wanted to do it a whole different way. And they came in, intoxicated the total, like,

And they came in the studio, and I couldn't give them direction. They would not take direction from me. You know, I would say, hey, I want it done this way. And they wanted to do it a whole different way. And they came in, intoxicated the total, like,

worst scenario that you can imagine and ll could see that i was drowning you know so he put me to the side he's like look i'm gonna show you how to deal with situations like this he's like you know so he was like you know sometimes you gotta let people express themselves hear them out give them a little bit of what they want and have them give you a little bit of what

worst scenario that you can imagine and ll could see that i was drowning you know so he put me to the side he's like look i'm gonna show you how to deal with situations like this he's like you know so he was like you know sometimes you gotta let people express themselves hear them out give them a little bit of what they want and have them give you a little bit of what

worst scenario that you can imagine and ll could see that i was drowning you know so he put me to the side he's like look i'm gonna show you how to deal with situations like this he's like you know so he was like you know sometimes you gotta let people express themselves hear them out give them a little bit of what they want and have them give you a little bit of what

you want and go back and forth until you get everything that you want and then scrap what they want, you know? And, you know, once I had that kind of blueprint, it allowed me to do that. And not only with just them, but anybody else who was really like, stuck in their opinions. A lot of times rappers welcomed direction.

you want and go back and forth until you get everything that you want and then scrap what they want, you know? And, you know, once I had that kind of blueprint, it allowed me to do that. And not only with just them, but anybody else who was really like, stuck in their opinions. A lot of times rappers welcomed direction.

you want and go back and forth until you get everything that you want and then scrap what they want, you know? And, you know, once I had that kind of blueprint, it allowed me to do that. And not only with just them, but anybody else who was really like, stuck in their opinions. A lot of times rappers welcomed direction.

Artists period because they don't want to be in there alone and a lot of times as focused as they are as successful as they are these guys have some insecurity sometimes, so they want to be assured. So you got to create that atmosphere where they can totally give you the best that they can.

Artists period because they don't want to be in there alone and a lot of times as focused as they are as successful as they are these guys have some insecurity sometimes, so they want to be assured. So you got to create that atmosphere where they can totally give you the best that they can.

Artists period because they don't want to be in there alone and a lot of times as focused as they are as successful as they are these guys have some insecurity sometimes, so they want to be assured. So you got to create that atmosphere where they can totally give you the best that they can.

And I learned all of that from LL Cool J. Now, Babyface, which was real cool, and you're right, he is one of the most just influential R&B writers, producers that ever existed. And I got to meet many of But what was real cool with him is just his focus and his ability to get what he wanted. And how I met him was in 1995, I was kind of supervising a Faith Evans session

And I learned all of that from LL Cool J. Now, Babyface, which was real cool, and you're right, he is one of the most just influential R&B writers, producers that ever existed. And I got to meet many of But what was real cool with him is just his focus and his ability to get what he wanted. And how I met him was in 1995, I was kind of supervising a Faith Evans session

And I learned all of that from LL Cool J. Now, Babyface, which was real cool, and you're right, he is one of the most just influential R&B writers, producers that ever existed. And I got to meet many of But what was real cool with him is just his focus and his ability to get what he wanted. And how I met him was in 1995, I was kind of supervising a Faith Evans session

at this place called the Hit Factory. And at this, this was a big studio, you know, so at any given time you have a whole bunch of people working through. And at that point you could kind of like knock on the doors and meet people. And he came into the faith session just to say hello. And I didn't know him, but he's baby face.

at this place called the Hit Factory. And at this, this was a big studio, you know, so at any given time you have a whole bunch of people working through. And at that point you could kind of like knock on the doors and meet people. And he came into the faith session just to say hello. And I didn't know him, but he's baby face.

at this place called the Hit Factory. And at this, this was a big studio, you know, so at any given time you have a whole bunch of people working through. And at that point you could kind of like knock on the doors and meet people. And he came into the faith session just to say hello. And I didn't know him, but he's baby face.

So I'm bugging out and I'm like, Hey, you know, I say, I can't think of that. So I'm like, do you teach? You know, he's like, teach, you know? So I just got to start the conversation. So I asked him if I could take him to lunch. And he was like, you know what? Sure. He said, meet me at the studio at noon. So I was there and he didn't come until about four.

So I'm bugging out and I'm like, Hey, you know, I say, I can't think of that. So I'm like, do you teach? You know, he's like, teach, you know? So I just got to start the conversation. So I asked him if I could take him to lunch. And he was like, you know what? Sure. He said, meet me at the studio at noon. So I was there and he didn't come until about four.

So I'm bugging out and I'm like, Hey, you know, I say, I can't think of that. So I'm like, do you teach? You know, he's like, teach, you know? So I just got to start the conversation. So I asked him if I could take him to lunch. And he was like, you know what? Sure. He said, meet me at the studio at noon. So I was there and he didn't come until about four.