Richard Brody

And yet, he brings a real physicality, a real command to this role, and takes this $120 million and essentially puts it on his back with the sheer force of his personality.

Okay. Essentially, in this category, it's the brutalist versus the cutilist. I think the cutilist is going to win.

Okay. Essentially, in this category, it's the brutalist versus the cutilist. I think the cutilist is going to win.

Okay. Essentially, in this category, it's the brutalist versus the cutilist. I think the cutilist is going to win.

It goes to Maria de Zia for Christmas Eve in Miller's Point, a film that relatively few people have seen and almost everyone who's seen loves it.

It goes to Maria de Zia for Christmas Eve in Miller's Point, a film that relatively few people have seen and almost everyone who's seen loves it.

It goes to Maria de Zia for Christmas Eve in Miller's Point, a film that relatively few people have seen and almost everyone who's seen loves it.

I think Demi Moore is a wonderful actress. And I think part of the problem in the acting categories is that pretty much everybody is a wonderful actor or actress. The technical level of acting now is extremely high, that they simply have a level of training that makes them virtuosi. And I think that Demi Moore is in a special category. I think she is a

I think Demi Moore is a wonderful actress. And I think part of the problem in the acting categories is that pretty much everybody is a wonderful actor or actress. The technical level of acting now is extremely high, that they simply have a level of training that makes them virtuosi. And I think that Demi Moore is in a special category. I think she is a

I think Demi Moore is a wonderful actress. And I think part of the problem in the acting categories is that pretty much everybody is a wonderful actor or actress. The technical level of acting now is extremely high, that they simply have a level of training that makes them virtuosi. And I think that Demi Moore is in a special category. I think she is a

essentially sort of like the Joan Crawford of her generation. She really excels in melodrama. I've felt that way ever since seeing her in St. Elmo's Fire in the 1980s. The problem is she came of professional age in an era that made very few melodramas, and so the best years of her life, of her professional life, were spent in something like a wilderness.

essentially sort of like the Joan Crawford of her generation. She really excels in melodrama. I've felt that way ever since seeing her in St. Elmo's Fire in the 1980s. The problem is she came of professional age in an era that made very few melodramas, and so the best years of her life, of her professional life, were spent in something like a wilderness.

essentially sort of like the Joan Crawford of her generation. She really excels in melodrama. I've felt that way ever since seeing her in St. Elmo's Fire in the 1980s. The problem is she came of professional age in an era that made very few melodramas, and so the best years of her life, of her professional life, were spent in something like a wilderness.

I think it's a correct assessment of the industry's complete misuse of her talent over the last 30 years. The Substance is not a popcorn movie, but I don't think it's a movie that really shows the range of her art.

I think it's a correct assessment of the industry's complete misuse of her talent over the last 30 years. The Substance is not a popcorn movie, but I don't think it's a movie that really shows the range of her art.

I think it's a correct assessment of the industry's complete misuse of her talent over the last 30 years. The Substance is not a popcorn movie, but I don't think it's a movie that really shows the range of her art.

Zia Anger for My First Film, Francis Ford Coppola for Megalopolis, Rommel Ross for Nickel Boys, Paul Schrader for O Canada, and Tyler Taormina for Christmas Eve in Miller's Point. And the Brody goes to? Goes to Rommel Ross for Nickel Boys.

Zia Anger for My First Film, Francis Ford Coppola for Megalopolis, Rommel Ross for Nickel Boys, Paul Schrader for O Canada, and Tyler Taormina for Christmas Eve in Miller's Point. And the Brody goes to? Goes to Rommel Ross for Nickel Boys.

Zia Anger for My First Film, Francis Ford Coppola for Megalopolis, Rommel Ross for Nickel Boys, Paul Schrader for O Canada, and Tyler Taormina for Christmas Eve in Miller's Point. And the Brody goes to? Goes to Rommel Ross for Nickel Boys.

What happened? What makes it innovative also makes it seem to some viewers, even in the industry, somewhat unorthodox, somewhat inherently unpopular by design. What's distinctive about what he does in Nickel Boys is that all the dramatic sequences are filmed from the point of view of one of its main characters. Has that been done before? Oh, it's been done many times before.