Rick Andrews

But the extra anxiety on top of it of, like, managing that uncertainty of, like, all the stuff that I can't control, I think, becomes that, you know, like, turn it off entirely, but that voice gets quieter, I think.

I've noticed that it's kind of not possible to be bored if you're hanging out with like three or four improvisers.

It's not really like, because if nothing's happening, well, it's kind of not really possible, right?

Like you're sitting at the airport terminal and there's a delay.

Like, you know, instead of people just like complaining all the time, I feel like people just like look around a little bit and they're like, hey, look at how that guy walks.

That's interesting.

That sign doesn't make any sense, you know?

Why do they call it Hudson News?

You know, whatever.

Like there's just a kind of curiosity about the present moment that I think does like translate off of the stage a little bit.

I might be like missing a section of my brain, you know, but I do think that like I taught all my classes yesterday, like Sunday is a day that I teach and perform.

And my classes were like, oh, when are you moving?

And I was like tomorrow.

And they were all like, why are you here?

Yes, that's exactly right.

I didn't understand the question, the reaction.

I was like, well, I teach on Sundays.

This is our last class, you know?

I feel like improv is like, I've heard from people, it's like, it helps on dates and job interviews or whatever.

Not that that's like the purpose of it, you know, or like how, like why you should do it.