Rick

And collections made it even easier for us. It's complicated. We are allowed to talk about it and that doesn't falsify the license that it is. Well, it's unlikely that these people will find us here at some point and won't complain anyway, but maybe complain and then I'll say, oh shit, oh no, sorry, sorry, sorry. By the way, Shit.

In this show there are a few swear words and the music that my bot finds is often by tormented souls, by people who don't have it easy. That means the content, small content warning, it's a bit about depression, self-harm and so on. Most of it is in English. Judge for yourself. That's really mean when you say it in English. You already know, right? Turn it off when it doesn't work.

In this show there are a few swear words and the music that my bot finds is often by tormented souls, by people who don't have it easy. That means the content, small content warning, it's a bit about depression, self-harm and so on. Most of it is in English. Judge for yourself. That's really mean when you say it in English. You already know, right? Turn it off when it doesn't work.

So, Rachel Underspoon in the background.

So, Rachel Underspoon in the background.

more meaning than the first level, which is just a sub-level.

more meaning than the first level, which is just a sub-level.

Right, yes, yes.

Right, yes, yes.

Next spoon adjacent spoon. Yes. Ich habe mich gerade versprochen, es ist nicht Rachel Anderspoon im Hintergrund. Das war Vivian Ash. Aber wir hören gleich weiter ein Song von Rachel Anderspoon, nämlich The Long White Theme. Wir hören uns gleich wieder bei Fantastische Wissenschaftlichkeit auf Radio Blau oder im Podcast.

Next spoon adjacent spoon. Yes. Ich habe mich gerade versprochen, es ist nicht Rachel Anderspoon im Hintergrund. Das war Vivian Ash. Aber wir hören gleich weiter ein Song von Rachel Anderspoon, nämlich The Long White Theme. Wir hören uns gleich wieder bei Fantastische Wissenschaftlichkeit auf Radio Blau oder im Podcast.

And back to fantastic science. Here on Radio Blau. That was just Botfly Mother. Song for the Pathetic and Damaged. That's exactly for us. Botfly Mother from Washington, D.C. is called the Bleeding Edge of Trenerco Pop. And all songs are released into the public domain. Copyright is illegitimate. Nice. Ignore the funny little link below.

And back to fantastic science. Here on Radio Blau. That was just Botfly Mother. Song for the Pathetic and Damaged. That's exactly for us. Botfly Mother from Washington, D.C. is called the Bleeding Edge of Trenerco Pop. And all songs are released into the public domain. Copyright is illegitimate. Nice. Ignore the funny little link below.

And the nice thing about these artists that my bot finds is that the lyrics are very often entered here.

And the nice thing about these artists that my bot finds is that the lyrics are very often entered here.

That also helps me in the preparation, because then I can fly over pretty quickly whether there is still any nonsense in it. But in that case, I think it speaks to us from the soul. We just talked about acoustic phenomena and psychoacoustics and how difficult it is to listen to people. Yes.

That also helps me in the preparation, because then I can fly over pretty quickly whether there is still any nonsense in it. But in that case, I think it speaks to us from the soul. We just talked about acoustic phenomena and psychoacoustics and how difficult it is to listen to people. Yes.

And I still have to learn the hard tour. Sometimes I'm ashamed to ask for the third time, but especially if you could look into my eyes that they might drift in one direction or another. My strategy was, I just told you, to just stare at the mouth. I don't know, do you think all the other people are also so fixed and look where the other people are looking at the conversation?

And I still have to learn the hard tour. Sometimes I'm ashamed to ask for the third time, but especially if you could look into my eyes that they might drift in one direction or another. My strategy was, I just told you, to just stare at the mouth. I don't know, do you think all the other people are also so fixed and look where the other people are looking at the conversation?

For example, I see people looking at me in certain areas of the face. where a pickle is or something like that. And I think to myself, my eyes are up here, not far.