Rob Bredow

I feel like it's upon us as creators to actually set the rule set for our show so the audience can then relax and go, somebody's thought this through.

We know the tone, we know the feeling, and you'll hear people, I hear people a lot talk about tone of their favorite shows.

And myself, when I see something that is well-crafted, that has a consistency of style and design through it, I know I'm in good hands so I can relax and watch the movie.

I imagine that's somewhat similar when you're talking about an exhibit, you're talking about a museum, laying that out and feeling that design.

Yes.

Cool.

So through the course of my work, I've become familiar with Rafiq Anadol's work, and I'm just so excited to see the kind of attention it's getting in museums, where people sit there for half an hour and watch an exhibit because it's very mesmerizing.

It's kind of almost trance-inducing.

Is this the kind of thing that you would like to see in general in the museum community?

Is this the kind of exhibit that you would like to see continue to be explored and pushed forward, or is it just like the right dose of it is what we need right now?

Yeah.

The variety of different kinds of expressions of that might be interesting to see next.

Yeah, and this stuff is so ephemeral.

Like, it requires a certain computer with a certain GPU.

Like, these are going to be harder pieces of art to keep and preserve than a painting on a canvas.

I love that.

This is the pitch I heard when George Lucas talked about opening his museum in L.A., which is still under development, and I don't have any inside information about it.

But what I heard early on was that it was going to be classic painting next to a movie poster that was also a fantastic painting.

And I don't know if that's how they're going to end up curating it, but if they do, that sounds delightful to me.

Yes.