Rob Mahoney

I'm Rob Mahoney.

Yes.

A lot of deadly items and spaces in the house, it turns out.

I mean, industry just delivers so many lines that you want to latch on to.

And how could we possibly refuse these other ones?

And yet we have to leave the mountain over to the side to open our little black box.

And I think find what is the right email for us, Jodi.

But why wouldn't you?

I know a girl could only be so lucky.

I mean, it's classic rich people shit.

But I will say just coming from if we're trying to channel an abundance mindset, there is something very pleasing about a pile of breakfast foods.

Normally, like a giant stack of pancakes is more my preference.

But if you want a pile of sausage, that's that's your right.

Or maybe the entire strands puzzle, you know, just really wrapping around the whole board.

Honestly, I thought like this moment is kind of the secret weapon of the entire episode.

Like this whole sequence of getting, starting and anchoring us from a place of like actual warmth between Henry and Yaz in response to the election.

I thought tethers us to that place, makes us wonder the whole episode, like how do we get back there?

How do these characters get back to this space?

And I mean, in addition, it's just like,

The way that Kit Harington is playing that moment, which I agree with you, it's either slow realization or he's trying to play a result that he already understands.