Rob Riggle

I don't have any – I don't have anything.

And then he was gracious with me.

He said, all right, look, because New York's great.

New York is great.

You can get in five mics a night without even batting an eye.

Five microphones, five microphones.

You can get in five microphones a night, which, you know, it's so hard to do here in L.A., I've found, living out in the burbs.

But it was great because we'd leave the daily show, we'd jump in a cab, and we would go piano room, slipper room, UCB, stand-up New York, comic strip live.

We could hit all these places.

I'd get up and I would do three to five minutes.

And then that would be it.

I'd do it the first place.

And by the end of the night, after four or five mics, microphones.

I got it now.

Now.

But by the end of the night, I'd have a minute worth of material.

Yeah, because he was gracious with me.

He would say – because I didn't – I wasn't – I didn't have a skill set and that world kind of bothered me.

So I was a little agitated when we'd go to do these things.

And I'd kind of get an attitude and I'd get all pissy and fussy about it.